Interview with Akribi

Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson

Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…

Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far?
Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.

Great! Can you tell us a little bit about yourselves?
We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.

Just like Badmouth you’re releasing this EP only a few months after your
album release. Are you always this productive?
Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.

Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away?
We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.

Which of the songs are you most pleased with and why?
It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.

What’s your favorite gig memory?
That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.

Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project?
Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.

What’s next on the agenda for Akribi this winter?
In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.

If you would record a Christmas metal album, which three songs would be on your list?
Hey, we’re a metal band! We don’t do Christian things 😉

Thanks for hanging out! We look forward to hearing the songs 🙂

Listen and pre order E – Part Four of H.A.T.E by Akribi here! You’ll get an instant download of one of the songs! The EP will be released December 1st.

Listen to all the EPs of the L.O.V.E vs H.A.T.E saga here:

L.O.V.E VS H.A.T.E
L.O.V.E VS H.A.T.E

E – Update #6

Marcus and Sofia playing live. Photo: Jonny Andersson

I’m so happy to announce that we met our goal in the pledge and thanks to all of you who pledged we will be able to release the last part of L.O.V.E next week. If you haven’t pledged you can still pre-order the physical CD, T-shirts and other goods up till November 1st. After that the EP will only be available as a digital download.

For this update I thought we’d grill the producer a little bit, so I tied him to his amplifier and made him answer all these questions…

Marcus Högquist recording some guitar
Marcus Högquist recording some guitar

Marcus Högquist, you are the producer of “E – Part Four of L.O.V.E” and you are also the guitarist in Sofia’s band since many years, how do you think this recording was different than the others you’ve made with Sofia?
More guitars 🙂 The previous recordings I´ve done with Sofia have all been different from each other. For example, the first one we recorded almost completely live with just two microphones. All of us sitting in the same room and playing together. And for that one we used mostly acoustic instruments. For the following records we have been doing more and more overdubs, recorded separetly and used more electronic sounds. This time I’ve tried to capture the essence of Sofia’s songs and let them guide me toward where I was going. Maybe in some cases I’ve put them in a slightly new context, soundwise.

What’s your favorite song on the EP and why?
I like them all. But if I have to pick just one I’d say If  I had a man. I’m really pleased with how it came out.

If you would describe this EP as the love child of two bands/artists, which would that be?
John McEnroe and Mats Wilander 😉

If you would have had an unlimited budget, is there anything you would have done differently?
I think I would have recorded the songs live with the band in a big fancy studio somewhere in the countryside. We would stay there for a few days and be totally focused on making the best record ever. For relaxation between the sessions some of us would play some tennis, Christian would go fishing in the lake just outside the studio and Sofia would probably get a nice massage.

How come you chose “Lower Case Letters” as your re-make song?
Actually the new rhythm feel of that song came out of a mistake during a rehearsal that Sofia and I where doing for a promotion tour a few years ago. So for the following tour we decided to stick with that new rhythm arrangement and we did on our last US tour with the band as well. Then, when I was asked to pick an old song for this recording I just thougt it would be nice to record it that way.

Marcus and Sofia playing live. Photo: Jonny Andersson
Marcus and Sofia playing live. Photo: Jonny Andersson

What was your biggest challenge as a producer?
Because I recorded a lot of the stuff myself, I’d say being the the producer and the musician at the same time.

Exactly how many guitar tracks can we expect on “E – Part Four of L.O.V.E” ? 😉
Billions!!!

What’s your best words of wisdom when producing an album?
Keep an open mind. It might be good to have a plan for how you want the songs to sound. But be open for new ideas during the process and let them inspire you.

Thanks Marcus! We look forward to hearing your awesome creation!

“E – Part Four of L.O.V.E” is being released November 1st.

Thoughts about booking a tour

Sofia Talvik

I’ve just started booking my US tour, starting in Florida in December, and first of all I have to say how amazed I am by these quadrillion of music venues. It seems like every café, restaurant, library and music lover hosts concerts. I’m also amazed how many of them are folk venues, or at least host folk music as well as other genres.

Sofia Talvik
My folky me in a backyard in San Francisco. Photo by Shelby Duncan

In Sweden nobody even knows what folk music is, here it’s fiddles and Orsa spelmän (if you all want to know what happened to ABBA after the 80’s). (I guess I’m not being totally fair because people here have heard Fleet Foxes and mostly the folk genre is called singer/songwriter here though I don’t think it’s totally right.)

Once in an interview the reporter asked me how I would define my music, and I answered “americana/folk”. When I read the published interview my answer was American funk. That says something about Sweden and folk music. But in the US, folk music almost seems like a cult. And here I am ordering feather hair extensions tuning my Luna guitar. I will probably fit right in!

Luna guitar
My folky guitar

So anyways, coming from a country that may be small but is really big when it comes to music export (again with the ABBA) I must say that Sweden is a puny country when it comes to live music. I was wondering the other day how many people would actually be confident enough to host a house concert here in Sweden. To actually let musicians and other people into their homes.. I mean what would the neighbors say???

So it’s really uplifting to see how many venues there are to chose from in the US. Unfortunately I’m not alone with this knowledge and I’m competing with so many bands. I just have to pray that I stand out in the crowd and that all these people will find it in their hearts to invite me to their homes, their cafés, libraries, galleries and what not.

And if you live in the US and want to host a house concert with yours truly, get in touch here http://book.sofiatalvik.com!

Sometimes I wish I had a band

Sofia Talvik and her band
Sofia Talvik and her band
me and my band

Sometimes I wish I had a band. Well I do have a band and I love them to bits, but we are not a band. They are my boys and I am their artist. They are my friends but they are not my confidants. Sometimes, when I see things like this lovely pledge by  My Bubba and Mi, I wish I had a band, where everyone were equals. Where we planned together and fought together. Where we were annoyed at critics and happy for our music together. Sometimes I feel like it’s just me, and they are just tagging along for the ride.

I’ve tried a couple of times making my band into my band. At first I gave them a name, The Tallboys, so that they would feel like a band and not just musicians backing up a singer/songwriter. It didn’t really work, but it doesn’t matter because now, 6 years down the road, they’re still with me and I don’t think any of them feel like just a back up musician anymore. It’s probably for the best, as I can be quite bossy and stubborn and tend to decide everything but sometimes I feel I’m struggling all alone. Like last year when we were on tour and there were just so many things that were going wrong, and I felt like I couldn’t tell them and had to pretend that everything was alright so we wouldn’t all be depressed and worried.

This year my guys are showing their skills as more than musicians playing behind me. They are each producing an EP for me in my 4 piece L.O.V.E saga. I wonder if they will feel as protective about their EPs as I do when I release an album. I wonder if they know just how much I appreciate and love them. Even if they’ll never be my band.

The hard work of being an artist!

Sometimes everyones tired and grumpy...
Sometimes everyone's tired and grumpy...

Lots of people think it’s just glamour, travels and good times to be an artist. Even friends of mine tell me how great it must be for me to “get to” tour and travel so much. Even they don’t realize I pay for the tour myself most of the time and bringing a band is never cheap, you guys out there who have families know a couple of plane tickets tend to eat up your budget pretty fast.

I also get a lot of questions from up-and-coming artists wondering how to go about the business of starting a record label or how to promote their music. I always try to answer the best I can, but the short answer to all of this is “you have to work your ass off!”. Nothing comes for free in this business and no one will care about your music as much as you do, no matter what that manager/label/pr company is trying to tell you.

.. but most of the time it's great!
.. but most of the time it's great!

So I was very happy to stumble upon this great website where all of the stuff about being an artist and building your brand is collected in a fun and comprehensible way. This post today is mainly for all you artists and musicians out there, but you other guys can check out http://www.eventric.com/ as well (scroll down to featured articles), it’s a lot of fun reading and gives you an insight on all the things you need to know when you want to get out there with your music.Martin Atkins who is the guy sharing all these great tips really knows what he’s talking about!

One of the things that made me laugh was the post about why you need to learn screen printing as an artist. Why? So you can make your own merchandise of course. Just like I started doing a while back. All my tees are hand printed by me, check them out here: shop.sofiatalvik.com. So it’s just a lot of great advice there for all artists, no matter where you are in your career.

Here’s some fast links to my fave posts:

11 (of 27) Things Touring Bands Can Do NOW To Make a Difference

11 MORE (of 29) Tips Touring Bands Can Do Now To Make a Difference

10 Ideas For Making Your Show an Event

Just remember that it's a lot of hard work!
Just remember that it's a lot of hard work!