Interview with Akribi

Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson

Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…

Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far?
Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.

Great! Can you tell us a little bit about yourselves?
We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.

Just like Badmouth you’re releasing this EP only a few months after your
album release. Are you always this productive?
Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.

Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away?
We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.

Which of the songs are you most pleased with and why?
It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.

What’s your favorite gig memory?
That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.

Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project?
Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.

What’s next on the agenda for Akribi this winter?
In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.

If you would record a Christmas metal album, which three songs would be on your list?
Hey, we’re a metal band! We don’t do Christian things 😉

Thanks for hanging out! We look forward to hearing the songs 🙂

Listen and pre order E – Part Four of H.A.T.E by Akribi here! You’ll get an instant download of one of the songs! The EP will be released December 1st.

Listen to all the EPs of the L.O.V.E vs H.A.T.E saga here:

L.O.V.E VS H.A.T.E
L.O.V.E VS H.A.T.E

Interview with G.A.I.N

'A - Part Two of H.A.T.E'
'A - Part Two of H.A.T.E'
'A - Part Two of H.A.T.E'

I met up with G.A.I.N who have recorded the second part of the H.A.T.E saga, ‘A – Part Two of H.A.T.E’. Here’s their thoughts about the project.

Hi G.A.I.N! You guys are doing “A – part two of H.A.T.E” how is the EP coming along?

It’s coming along very well. It’s all done and waiting to be released. Niklas Stålvind of Wolf produced and mixed. Mike Wead of King Diamond and bibelblack mastered. From the final result we can definitely say that it sounds kick-ass! We’re very proud of what we’ve done and we can’t wait until we can share the result with the world!



Great! Can you tell us a little bit about yourselves?

We’re just a couple of metalheads doing what we love. We all come from different places but our love for Metal brought us together. We all live in Stockholm and we like to go out and have a good old dirty time. It happens a little too often but that’s Metal for you!  We live by the motto, Sex, Booze and Tattoos! 



What did you think of the original songs when you first heard them and did you think it was hard to interpret them into your own style or did you get ideas straight away?

When we first heard the songs we wondered what the hell we’d gotten or self’s in to. It was a little hard to “connect” with the songs at first but after a few listening’s they grew on us and now we like them. 
We decided early not to listen to the originals that much too ensure that our versions came more from us, so that they would sound like G.A.I.N. 
Some songs we had ideas for right after the first listen but some came harder. The song that came easiest was probably “King of the Willow Tree” and one that we had to work a bit on was “Glow”.  



Which of the songs are you most pleased with and why?

Our favorites are probably King of the Willow Tree and The War. We really like the raw drive of the riffs in both songs. They are really in our own style and don’t sound like covers at all. Your way of writing really fitted well into our kind of music. They came out just like our own songs.



What’s your favorite gig memory?

Three of us remember on gig in particular. Mr Bandiit was a little too excited and played a bit fast. This resulted in that Gus had to prioritize ether singing or breathing in the last song. He chose to sing… 
He gave his last bit of energy in that song and as a result of that he ended up taking an ambulance ride to the hospital. 



Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project?

We recorded everything in Viper Studios. From this experience we learned that we will never record four songs in two days again. It’s borderline impossible and we don’t recommend it. We finished all the rhythm guitars and the drums in one day and thought we were doing very well. Only lead guitar, bass and vocals left right? The lead guitar and the bass were done at about 8 o’clock the next night. The vocals took another 7-8 hours and would have taken longer if it weren’t for the excellent vocal coaching Niklas Stålvind of Wolf provided. We’re forever grateful for that.
 But on the whole it has been a lot of fun to be part of this project. We’ve learned a lot and would like to thank you for this opurtunity.



What’s next on the agenda for G.A.I.N this fall?

Get out and play. The big damn show! This fall we will focus on getting out and bring our music to the masses. We haven’t played all summer so we’re really excited about getting out there again! We’ll just have to make sure that Gus gets to breath. Do you know where we can get a portable oxygen tank?



Thanks for hanging out! We look forward to hearing the songs.

Listen and pre-order ‘A – Part Two of H.A.T.E’ here!

New interview on Riveting Riffs!

riffs
Canadian Music Zine “Riveting Riffs” has just published a fresh interview with me!

Preview
“Sofia Talvik is a pop star on the rise. She has already conquered her native Sweden, won the hearts of those at Chicago’s Lollapalooza music festival in August of 2008, and in March of 2009 the gifted singer / songwriter, with the breathtaking vocals, will be appearing at SXSW in Austin Texas, followed by an appearance at the Canadian Music Festival in Toronto, Canada. Talvik, who writes all of her lyrics in English, has received strong radio play on Sweden’s radio stations, and recently recorded a mini concert and interview for SR P3, which was aired on November 12th. Her current CD Jonestown is causing quite a stir on the international music scene, with her single, “My James Dean…”

Read the full 2 page interview here:
Sofia Talvik on Riveting Riffs

CD of the week in Canada

My international success is continuing! The Canadian online Music Zine Riveting riffs has just published a review of “Jonestown” and not a short one! They even graced “Jonestown” with the title “CD of the week”.
rive

“Although she is Swedish, Sofia Talvik’s understanding of the English language and her ability to craft sensitive, emotive verses in English, should make it easier for her to realize a big breakthrough in the North American music market in 2009. She already has all the other tools, pretty, flawless vocals, and a knack for impeccable phrasing.”

Read the full review HERE!