Unmistakably Nordic in flavor, Sofia Talvik somehow still conforms to American interpretations of her own original music, a North Sea siren blending sparkle and melancholy, creating a special niche of folk music.
The lovely as always Bluesbunny has written a nice little piece about my new EP ‘O – part two of L.O.V.E’ and given me four carrots to snack on! Thanks Bluesbunny!
[quote]
O – Part Two of L.O.V.E” by Sofia Talvik is, as the title suggests, the second part in a series of fan funded EPs by one of the most affecting Swedish singer songwriters to cross the threshold here at Bluesbunny Towers.
It could easily be said that there are no surprises here but you should not take that as a criticism as I simply mean that this EP maintains the high standards that we have come to expect of Ms Talvik. The songs might well play out like four more rounds in the boxing ring of life and that actually made for an interesting, if not entirely unexpected for connoisseurs of female endeavour in the world of pop music, conclusion.
Sure enough, “Glow” easily charms with clever urban metaphors and hushed background vocals but it is “Awfully Aware” that engages the mind. I happened to be rummaging through the vinyl archives here and I came across an album by Janis Ian called “Aftertones” from 1975 (when Ms Ian would have been of similar age to Ms Talvik) and was struck by the similarities. Both are clearly intelligent songwriters with similar lyrical motivations and it was easy to draw parallels between the aforementioned “Awfully Aware” and Ms Ian’s “”Boy I Really Tied One On”. I think that speaks highly of Ms Talvik’s abilities as a very human songwriter which is further reinforced by the cool realism expressed in “The War”.
Rounding off this EP is “King Of The Willow Tree” previously featured on her album “Florida” but here receiving a minor makeover with added synths and spaghetti western moments but otherwise little altered . Possessed of both intelligence and charm, Sofia Talvik proves, once again, that music can engage mind, body and soul at the same time. [/quote]
I spent the evening screen printing tees and tote bags for all of you that pledged for O. This time I used a more transparent color to make the print softer and less plastic. I’m so happy with the print, I don’t know what to look at, the tee or the handsome model!
Coming up is posters, the print screen is being prepared as I write this, drying in the dark in the bedroom.
Did you watch Sesame Street when you were a kid? I did! So I was extra happy when they sent me this promo video for my upcoming EP.I don’t quite remember this guy, but maybe he’s the cousin of Ernie and Bert?
Do as Sesame Street says and pledge for the EP now! Go here:
I was talking to a friend the other day about how hard people in Sweden have to support their friends and be happy for their success. We even have a epithet for it “The Jante Law”. Wikipedia lists it as “a pattern of group behavior towards individuals within Scandinavian communities, which negatively portrays and criticizes individual success and achievement as unworthy and inappropriate.” Or as Morrissey so eloquently put it: “We hate it when our friends become successful”.
It’s a quite unpleasant thing and you will see it everywhere, even how people are portrayed in media sometimes. Well I’ve had my share, being an artist and performer. It’s sad when there’s a competition between artists and other actors in the music industry, when we all could benefit from helping and supporting each other. Especially in such a small country as Sweden.
But I think the worst thing is when people who are your friends don’t support you or can be happy for you. Every day I’m stunned by how wonderful my fans and friends abroad are. Helping me out in so many ways. Some whom I haven’t even met. Like with my pledge for my EPs. Or now that I’ve applied for an artist visa. How generous and helpful people really are.
However It makes me just as sad when real life friends brushes off my pledgemusic project with the notion that supporting by pledging would be the same as them giving me a salary. Like I would use the money to party on the town or something (and the funny thing is that they’d gladly buy me a beer any time). And then, they all enjoy my music for free on Spotify. Don’t get me wrong. I want people to enjoy my music for free, but I’m sad to experience that Swedes sometimes are not as generous and loving as other nationalities.
My new goal is therefor to be a better person and support friends and colleagues more. And today I’m starting with my friend Scott. Scott is the writer, designer and publisher of the magazine K Composite. He’s been doing it for years and now he’s working on a new issue. If you like independent magazines, you’ll like K Composite. It’s basically a really beatutiful magazine containing interviews with regular people. Scott has a pledge at Kickstarter to fund the new issue and I think you should all check it out now.
L – Part One of the L.O.V.E saga was released in February. We’re working on “O” which will be released in the beginning of summer. But you might not have known that the L.O.V.E saga has an evil twin called H.A.T.E …
H.A.T.E will consist of 4 EPs, just like L.O.V.E. They will even contain the same songs. So what’s the difference? Well H.A.T.E is the rock version of L.O.V.E. Four rock bands will make one EP each. First out is British band Ball of Mayhem. I managed to get a little interview with Dave Chrisp from the band, and here’s what he’s got to say about their upcoming EP “H”.
Hi David! You’re part of the rock band Ball of Mayhem that is about to release the first EP “H” in the H.A.T.E quadrology. We’re so excited for the release! Tell us a little bit about your band! Hi.Well Ball Of Mayhem started about ten years ago then under the name Slugfist by my brother Terry (Lead vocals, rhythem guitar) and Stephen (Bass). Since then it has had a few line up changes. I joined about three years ago and our Drummer Jack and Lead guitarist Zac joined just last year. We are all from and are based in the North East of England. Our name kind of represents the sheer variety in our sound, while all of our songs are what you would call heavy there is a big mix of catchy power metal songs with soaring vocal harmonies to out and out stomping metal with monster riffs! We like to keep our sets so you just dont know what is coming next.
How did you get involved in the project? Well I’d like to say it was something rock and roll like we got talking backstage at Glastonbury or something but it was actually through Facebook. I saw Sofia’s post asking for Metal bands to be involved in a project so I replied to that and here we are!
Sofia’s music is quite different from Ball of Mayhem’s. Have you listened to Sofia’s music before and what was it like to interpret the songs? Yeah I was familiar with Sofia’s music for a long time before this project. I’m a fan of Bernard Butler and first heard of Sofia after they did “It’s just love” together and have always kept up with what Sofia has been doing.
It was a lot of fun working on the songs, we got to work as soon as we received her EP. Me and Tez (Terry) just sat in his conservatory listening to it over a few beers and straightaway had a good idea as to what form each song would take. Once we started arranging them it was pretty obvious that they were going to work really well as metal/rock songs. Usually it’s the other way around, singer/songwriters that turn rock songs into sweet mellow versions. Do you think it’s harder turning an acoustic song into a rock song or why do you think that is? I dont think it is, in a way I think it gave us more scope for arrangements as metal/rock is so broad and there are so many different styles of it that can be applied. We were able to add to the basic structure of the songs while not making them unrecognizable from the originals. It would of course be easy just to speed everything up, put loads of guiars on and scream all the way through but we wanted to keep them as “Proper songs” so we went for that big metal anthem sound on all of them. I think if you are going to do a cover you really need to put your own stamp on it otherwise what is the point?
How is this EP different from what you usually play? While we do have catchy songs in our set I would say that these are generally more melodic than what would would normally do. We would perhaps keep a catchy melody/hook for a chorus or a break but these songs have that throughout. The subject matter is not something we would normally sing about either! I dont think any of us would dare turn up to a practice and say “Hey I’ve wrote this really heartfelt song about a love lost that I want us to try…..”
Which is your favorite of the 4 songs and why? Tough question as personally I have favourite bits of them all. Sofia’s versions I’d say Nothing quite so gentle, it just sounds like a single and is a great vocal, great melody, this was probably the easiest to cover.
Our versions I’d have to say Bittersweet bliss, the chorus is a really nice lift after the almost spoken verses, this one really rips along. But the intro to Everyones favourite concubine is a real band favourite, when it kicks in it is just huge with Jacks thumping doubles on the drums with the pounding guitars yet still has that nice little riff that is being picked on the original. We actually had an idea for a song that we never used that started like this and it just fitted perfect when we tried it out. We’re planning on playing this live in a couple of weeks as a set closer and we’ve already had people pop in at practice saying how awesome it sounds.
What’s next for Ball of Mayhem? We’ve just came first in a Battle Of The Bands competition which was great for us, we are starting to get more widespread gigs now which we hope continues as we are starting to get a nice little fanbase now. We’re hitting the studio to record our next EP next month which we plan to release later this year. We have some really big songs that we cant wait to get recorded.
After that who knows, maybe take over Sweden?!, I’ve heard it’s nice there.