Win Archives - Page 11 of 17 - Sofia Talvik - Americana / Folk with Swedish Roots

January 15, 2012December 10, 2018

New album pre-order!

“…Not dread but a connection with our past is what we feel, a thread running back to the artless creatures we once were when we first heard the oboe-like notes from the Great Horned Owl. In Paleolithic times, we suspected omens in its voice, heard in it questions we were unable to articulate, but which have stayed within us, incomplete and taunting. We are certain that ancient, taloned bird sees what we do not, knows what we never will. And some night, silent as a gliding feather, its immensity will engulf us at fireside to tell us things we want to know as well as those we don’t. In the shadowed forest we’re pulled by that lurking and alluring ghost and we are enthralled.” Welcome to Twin Peaks: Access Guide to the Town

2011 was a busy year for me. I worked hard to get an artist visa to the US, preparing for a tour that might go on for as long as two years. At the same time I wrote and recorded a new album. Now that I’ve landed in my tour in the US it’s also time for my new album to land. “The Owls Are Not What They Seem” is a collection of 12 new songs. My musical journey started out in 2004 when I recorded Blue Moon and me and my musicians all gathered in a basement studio in Stockholm recording acoustically and almost all the instruments at the same time. After that I tried a more common way of recording in layers, adding instruments upon instruments. For my third album I hired a producer, Tobias Fröberg and for my fourth album Florida i experimented with a bigger soundscape with more drums than I had ever used before.

For “The Owls Are Not What They Seem” I went back to basics. After having done an acoustic solo tour for my album Florida Acoustic in 2010 I felt I was in my best element when I was playing and singing at the same time without the restrains of headphones and click-tracks. So I decided to make an ablum that was the essence of that me. Just something I could record in my bedroom without the pressure of a big production, time and opinions from others. All the songs on “The Owls Are Not What They Seem” are recorded that way. Me – playing and singing at the same time, then sparsely adding other instruments to enhance and highlight where I thought it was needed. My goal was to keep it down and make an acoustic album with a live, organic feel to it. I had no interest in changing the world or inventing something new. I just wanted to make a beautiful acoustic album. And here it is: “The Owls Are Not What They Seem”

You can now pre-order the album here. You’ll get a free track straight away. Physical signed albums will only be available through my website until the release. I also have two special guests on the album; Martin Hederos is playing the piano on “Nothing quite so gentle” and Pontus Borg has lent his voice to “7 miles wide”. Please hit the share button to tell all your friends.

January 14, 2012January 14, 2012

What if we fall over?

We’ve been touring for little over a month now and gone from sunny Florida to cold North Carolina. I’ve overcome my fear of driving the RV and since Jonas fixed the cruise control I don’t mind driving at all. But there’s still one thing that scares me. What if the RV falls over. Every time we’re on a sharp curve on a highway exit I dread this. Even though Jonas says there’s no chance of that happening I still feel like it could happen.

Sofia Talvik on tour — Me and Jonas in our hoodies in the RV

After spending a few days in Savannah, GA (what a wonderful city!) I decided we had to buy bikes so we could bike whenever we came to a city like that. So we got one off Craig’s list and one from Walmart. For a few days the bikes were parked inside the RV and were taking up all the space we had. Because even if a bike is only $50 at Walmart, a bike rack for the RV is way more expensive. It doesn’t make sense at all, but we had to get one so we did. Only if we were to mount the bike rack we had to dismount the spare tire. So now instead of bikes we’ve had a hundred year old spare tire in the RV. No it didn’t fit into any of the storage compartments. Someone said we should put it under the bed but it’s old and smelly and had dead frogs and moss on it. So I don’t really think it’s going to be useful if we ever come to need a spare tire in the future.

The day after we got the bike rack and put the bikes on it we stayed in the parking lot behind the bar where I played in Charleston, SC and in the middle of the night I woke up of sounds and the RV rocking (you’d think it’s steady but it’s like a boat really). I looked out through the bedroom window and there was a guy trying to do something to the bikes, probably steal them. That’s not really something you want to wake up to. As soon as he saw my face in the window though he took off, but I couldn’t go back to sleep for hours and then I had nightmares the rest of the night.

Everything got better once we came to Wilmington, NC and stayed a night with our friend Majsan. Wilmington is such a beautiful town. Actually all the towns we’ve been to since Savannah has been pretty great. We’re in in Winston-Salem, NC now and it’s beautiful. We’ve biked around the city which doesn’t have much of a city center but lots of beautiful houses. The gigs have all been great too. Sometimes one would wish for a larger audience, but at least the people who’ve shown up have been there to listen to me and that’s what’s important after all. I was pretty disappointed that SxSW didn’t come through with an official invite this year. I’ve been incited the last three years of which I’ve played two. And every time I’ve had to pay for expensive plane tickets and hotels for me and the band. So when I’m finally here, doing a great tour, having a new CD out January 31st, they don’t invite me. But I still have a few unofficial SxSW shows so if you’re going to be there you can still see me play.

Me, Majsan and Spades in Wilmington, NC

Ok that’s all for now folks!

See you on the road

December 5, 2011April 26, 2018

Shoot me with your Winter Canon

My annual Xmas single is released and I’ve already gotten some great response to it. It’s funny though how my little pun with the cover and the title seemed to pass people by 🙂 The song is written in a manner that is called “canon” in musical terms. Wiki explains the canon like this: In music, a canon is a contrapuntal composition that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.).

But as it sounds just like cannon, I put a little cannon shooting snowflakes on the cover.

Here’s some links to the reviews that’s out so far:

Sofia returns to her Indie folk pop roots on a very pretty down-tempo number with beautiful imagery of the season. It’s entitled “Winter Canon”, which is a cute title but doesn’t really express how lovely the song actually is. About the only thing wrong with this single is that Sofia didn’t include her picture on the cover art.
(read more at) Stubby’s house of Christmas

She’s definitely one of the finest Swedish singer-songwriter, and there are doubtlessly many good ones. This year’s song is called Winter Canon and it matches the expectations easily. Her soft, bright voice makes this tune really special.
(read more at) Lie in the Sound

“Winter Canon” has a very old-fashioned American Christmas feel to it….I recommend giving it a listen, downloading it and going out of your way to do something for someone else.
(read more at) The Useless Critic

Get the single for free here!

December 4, 2011April 26, 2018

Free Xmas single

Every year I release a free Christmas single and today at Advent second it’s up for grabs. As usual I want to urge people to do a good deed instead of paying me money for the single. It’s my Christmas gift to you and I hope you will pay it forward. This year I’m happy to be working with ActionAid as my choice of charity.

Read all about it and download it here!

Thanks to Martin Q Larsson and Joakim Lundgren for playing on the song! I hope you all like it.

November 15, 2011July 15, 2012

Interview with Akribi

Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…

Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far?
Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.

Great! Can you tell us a little bit about yourselves?
We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.

Just like Badmouth you’re releasing this EP only a few months after your
album release. Are you always this productive?
Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.

Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away?
We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.

Which of the songs are you most pleased with and why?
It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.

What’s your favorite gig memory?
That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.

Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project?
Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.

What’s next on the agenda for Akribi this winter?
In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.

If you would record a Christmas metal album, which three songs would be on your list?
Hey, we’re a metal band! We don’t do Christian things 😉

Thanks for hanging out! We look forward to hearing the songs 🙂

Listen and pre order E – Part Four of H.A.T.E by Akribi here! You’ll get an instant download of one of the songs! The EP will be released December 1st.

Listen to all the EPs of the L.O.V.E vs H.A.T.E saga here: