Unmistakably Nordic in flavor, Sofia Talvik somehow still conforms to American interpretations of her own original music, a North Sea siren blending sparkle and melancholy, creating a special niche of folk music.
Today’s window is a special Christmas card to you all from my friend Dusty Monroe. It’s a special Christmas song about Rudolf, our favorite theme this winter ;). He’s sending it to you as a free download powered via Soundcloud!
I’ve never been much of a cover singer, but if you followed me for a while you know I sometimes try. So now that it’s coming on Christmas so to say 😉 I thought I’d post this live recording of me singing Joni Mitchell’s song “River”. Next year I will release a live album, so this is like a little taste of what’s to come. Enjoy!
Ho Ho Ho! Earlier this year I played a few shows up in Oregon and did something called the Salem Songwriter Sessions, which is basically a local TV show on CCTV (Salem, OR.) featuring artists playing live with the Salem Songwriter crew!
I played a concert at the Historic Grand Theatre in Salem, OR earlier this fall and it’s now airing on CCTV all month along with a Salem Songwriter session of my new Christmas single “One Last Wish For Christmas“.
The 30 minute Salem songwriter session with me will be aired in January. Salem Songwriter Sessions is a new program on CCTV (Salem, OR.). Songwriters have the opportunity to talk about their music and to play several of their songs in a relaxed atmosphere. Host Tom Phillips interviews songwriters about their interests, influences an inspirations.
You can check out the Salem Songwriter Session Facebook page here!
Indie distributer CDbaby just recently chose my new album The Owls Are Not What They Seem as their editor’s pick, gave it 5 stars and wrote this lovely review!
[quote] In 2008, Sweden’s Sofia Talvik put out an impressive album — Jonestown — which wowed me with its lush orchestrations and catchy, melancholic 60’s-pop songs, tunes that wouldn’t have been out of place on any of Goldfrapp’s NON-disco albums. The following year, Talvik released an equally ambitious, subtly-searing album called Florida that was haunted by the ghosts of Dustbowl folk and countrified Southern Gothic. In 2011, the prolific indie-songstress put out 4 EPs that previewed remixed versions of songs that would end up on this year’s full length, The Owls Are Not What They Seem. The new record is a departure for sure — still catchy in its way, though the earworms have more room to sprawl— still lush, though the flute and string accompaniments are more restrained and the tremolo guitars serve only as punctuation. What’s different this time around? Mood: Owls is a slow-burning folk pop gem that wanders and searches as if dreaming itself into being. Think Nick Drake, Kings of Convenience, and Blue-era Joni Mitchell. Talvik’s voice can be both rich and whispery, and each breath seems to bend toward some hidden sadness, as if tugged by an undercurrent we can’t quite see; but we feel its force as the music unfolds, swirls, and closes around us.[/quote]