Interview with Akribi

Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson

Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…

Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far?
Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.

Great! Can you tell us a little bit about yourselves?
We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.

Just like Badmouth you’re releasing this EP only a few months after your
album release. Are you always this productive?
Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.

Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away?
We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.

Which of the songs are you most pleased with and why?
It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.

What’s your favorite gig memory?
That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.

Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project?
Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.

What’s next on the agenda for Akribi this winter?
In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.

If you would record a Christmas metal album, which three songs would be on your list?
Hey, we’re a metal band! We don’t do Christian things 😉

Thanks for hanging out! We look forward to hearing the songs 🙂

Listen and pre order E – Part Four of H.A.T.E by Akribi here! You’ll get an instant download of one of the songs! The EP will be released December 1st.

Listen to all the EPs of the L.O.V.E vs H.A.T.E saga here:

L.O.V.E VS H.A.T.E
L.O.V.E VS H.A.T.E

Interview with Badmouth

T - Part Three of H.A.T.E

We caught a few moments with Chris LeMon from Badmouth to hear what his thoughts about their new EP “T – Part Three of H.A.T.E” are. “T – Part Three of H.A.T.E” will be released November 1st and you can pre-listen and pre-order it here!

Badmouth
Badmouth, Photo by Michael Johansson

Hi Badmouth! You’re making “T – Part Three of H.A.T.E” would you start by telling us a little bit about your music and your band?
Badmouth started 4 years ago, we released our debut album in 2008 and our second album this summer, which is produced by Chips Kiesbye. When we got the offer to do this EP we just couldn’t resist, such a cool thing to be part of, so even though we just released the album we called Chips and he was up for it … Badmouth is rock’n’roll, its about having a good time, we are having a great time and we want the crowd to smile as they see us live, its all about the love for music …

You’re usually writing your own songs, so what did you think was the hardest part of making Sofia’s songs feel like your own?
Actually nothing was hard … haha … It’s great songs! The hardest one was “To watch the bridges burn” we had a different version going first but it was just strange … haha … but then we tried the way it is now and it sounds great! So it has only been a lot of fun!

T - Part Three of H.A.T.E
T - Part Three of H.A.T.E

Which one are you most happy with and why?
I guess it depends who you ask in the band, for me personally I would say Jonestown, I think the arrangement turned out great and it is truly a great song, but I also think Bridges turned out great in a different way, to me its a radio hit! I think it’s cool that all four songs turned out so different from each other so I would say I am really happy about all four ...

Rumor has it you’re on tour with Gilby Clarke from Guns & Roses, how did that come about?
Totally true, actually sitting in the tour bus right now on our way to the last show, it’s been a great tour, 8 shows in Sweden … Well, I also work as a booking agent and I booked this tour and Gilby needed a band and it wasn’t hard for me to suggest the best band to him 😉

Chris LeMon and Vinnie Sharp from Badmouth with Gilby Clarke
Chris LeMon and Vinnie Sharp from Badmouth with Gilby Clarke

What’s your all time favorite tour memory?
There’s a lot, and some things that shouldn’t be mentioned here 😉 But right now I would say this tour, to be on a stage with Gilby Clarke is truly a dream come true!

Making rock music out of singer/songwriter tunes isn’t something bands do every day. What did you think about the experience and would you do it again?
I would love to do it again, this shows that good songs are good songs no matter which category you place them in … We actually said that if this EP becomes a hit we will have Sofia write our next album! 😉

What’s your recipe for success?
Be yourself and love what you do!

What’s in store for you this fall?
Well, the release of the EP is the next thing and we have a release party for it in Stockholm on November 4th at RoQ. As soon as we are back from the road we will start planning the next tour, the main goal is to play live as much as possible and get out the word of BADMOUTH!

Thanks for chatting with us, can you tell us your three favorite songs right now?
Thank you! Wow that’s difficult but right now I would say “Jonestown”, “Heavy Metal Parking Lot” (Badmouth) and “Tijuana Jail” (Gilby Clarke)

Me – a K-mate?

K Composite Cover
K Composite Cover
K Composite Magazine

I haven’t made it as a play-mate yet, but I’m not sorry because I’d much rather be a K-mate!

I’ve done many interviews in my day, answering questions about my music and stuff like that. This time the interview was quite different. How would you react if someone asked you how often you pick your nose for example. Would you be offended? I wasn’t because my friend Scott usually says way worse things than that to me. I think he was even restraining himself when he did the interview with me for his new issue of K Composite magazine that’s available FOR FREE in the app store (for iPad).

K Composite
K Composite

Now if I’d be the only one who was interviewed the magazine would be very thin, (something Scott also realized) so he made an effort and interviewed a whole bunch of other people too. You see the thing with the K Composite magazine is that it’s just a lot of interviews with ordinary – or maybe I should say extraordinary – people. You won’t find celebrities but you will find a bunch of weird questions and answers.

K Composite launched in 1991 as a fanzine and this is the first issue for the iPad. As I’m a designer myself I can tell you that Scott has made a pretty awesome job with the design, playing with different fonts and adding graphics and 3D pictures.

So go download your copy today. It’s for free goddammit!

Drivin’ & Dreaming Tour!

Sofia Talvik 2011

Thanks to all of you wonderful people who contributed with clever, creative and crazy name suggestions for my tour. With a twenty something suggestions on his list it’s no wonder that Paul Rosenberg rode home the winning name with “Drivin’ & Dreaming”. I love the name because it referrers to the vast distances I will be driving across America to play for all of you, and the fact that I also follow my dream by doing so. It also reminds me of a favorite song that’s called “Falling and Flying” from the movie “Crazy Heart”. Paul, a CD and T-shirt are on their way in the mail to you!

On a close second place was Nikolas Huffman with his “Interstate Hootenanny Tour”. It’s quirky and yet bears a lot of meaning in it. Nikolas, you get a free download of one of my albums.

Thanks to everyone who contributed I had so much fun reading all of your suggestions!

Thoughts about booking a tour

Sofia Talvik

I’ve just started booking my US tour, starting in Florida in December, and first of all I have to say how amazed I am by these quadrillion of music venues. It seems like every café, restaurant, library and music lover hosts concerts. I’m also amazed how many of them are folk venues, or at least host folk music as well as other genres.

Sofia Talvik
My folky me in a backyard in San Francisco. Photo by Shelby Duncan

In Sweden nobody even knows what folk music is, here it’s fiddles and Orsa spelmän (if you all want to know what happened to ABBA after the 80’s). (I guess I’m not being totally fair because people here have heard Fleet Foxes and mostly the folk genre is called singer/songwriter here though I don’t think it’s totally right.)

Once in an interview the reporter asked me how I would define my music, and I answered “americana/folk”. When I read the published interview my answer was American funk. That says something about Sweden and folk music. But in the US, folk music almost seems like a cult. And here I am ordering feather hair extensions tuning my Luna guitar. I will probably fit right in!

Luna guitar
My folky guitar

So anyways, coming from a country that may be small but is really big when it comes to music export (again with the ABBA) I must say that Sweden is a puny country when it comes to live music. I was wondering the other day how many people would actually be confident enough to host a house concert here in Sweden. To actually let musicians and other people into their homes.. I mean what would the neighbors say???

So it’s really uplifting to see how many venues there are to chose from in the US. Unfortunately I’m not alone with this knowledge and I’m competing with so many bands. I just have to pray that I stand out in the crowd and that all these people will find it in their hearts to invite me to their homes, their cafés, libraries, galleries and what not.

And if you live in the US and want to host a house concert with yours truly, get in touch here http://book.sofiatalvik.com!