Unmistakably Nordic in flavor, Sofia Talvik somehow still conforms to American interpretations of her own original music, a North Sea siren blending sparkle and melancholy, creating a special niche of folk music.
Here’s a little map that shows our current gig schedule in the US for the Drivin’ & Dreaming tour. We’re booking as we go along and our plan is to hit most states in the US. Hawaii and Alaska my be a challenge for the RV though. See my full gig schedule here! I will keep adding to it every week! (And if you feel like booking me to your venue, please click here!)
Speaking of the RV we just had some major rain falls in Atlanta, GA and discovered that the overhang still wasn’t properly sealed. So now we’ll have to tape it together some more. I bought a dryer duct at Walmart that we taped to the heater in the driver’s compartment and put up there to dry it out while we were driving to Auburn today like the white trash McGyvers we are. Hopefully it won’t rain more but you never know.
Home made water leak dryer duct
At least Auburn, AL is warmer than NC. We even had the windows open today wohoo!
I’m psyched to be going to New Orleans for a couple of gigs. I’ve been watching the Treme TV show, and it seems like a cool town, that is unless you get robbed, shot and raped. Let’s hope none of those things happen to us. So far everyone have been really nice and taken care of us. Would be totally awesome to find a private spot to park in NOLA.
Well, that’s all for now! I’ll see you on the road!
“…Not dread but a connection with our past is what we feel, a thread running back to the artless creatures we once were when we first heard the oboe-like notes from the Great Horned Owl. In Paleolithic times, we suspected omens in its voice, heard in it questions we were unable to articulate, but which have stayed within us, incomplete and taunting. We are certain that ancient, taloned bird sees what we do not, knows what we never will. And some night, silent as a gliding feather, its immensity will engulf us at fireside to tell us things we want to know as well as those we don’t. In the shadowed forest we’re pulled by that lurking and alluring ghost and we are enthralled.”Welcome to Twin Peaks: Access Guide to the Town
2011 was a busy year for me. I worked hard to get an artist visa to the US, preparing for a tour that might go on for as long as two years. At the same time I wrote and recorded a new album. Now that I’ve landed in my tour in the US it’s also time for my new album to land. “The Owls Are Not What They Seem” is a collection of 12 new songs. My musical journey started out in 2004 when I recorded Blue Moon and me and my musicians all gathered in a basement studio in Stockholm recording acoustically and almost all the instruments at the same time. After that I tried a more common way of recording in layers, adding instruments upon instruments. For my third album I hired a producer, Tobias Fröberg and for my fourth album Florida i experimented with a bigger soundscape with more drums than I had ever used before.
For “The Owls Are Not What They Seem” I went back to basics. After having done an acoustic solo tour for my album Florida Acoustic in 2010 I felt I was in my best element when I was playing and singing at the same time without the restrains of headphones and click-tracks. So I decided to make an ablum that was the essence of that me. Just something I could record in my bedroom without the pressure of a big production, time and opinions from others. All the songs on “The Owls Are Not What They Seem” are recorded that way. Me – playing and singing at the same time, then sparsely adding other instruments to enhance and highlight where I thought it was needed. My goal was to keep it down and make an acoustic album with a live, organic feel to it. I had no interest in changing the world or inventing something new. I just wanted to make a beautiful acoustic album. And here it is: “The Owls Are Not What They Seem”
You can now pre-order the album here. You’ll get a free track straight away. Physical signed albums will only be available through my website until the release. I also have two special guests on the album; Martin Hederos is playing the piano on “Nothing quite so gentle” and Pontus Borg has lent his voice to “7 miles wide”. Please hit the share button to tell all your friends.
Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…
Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far? Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.
Great! Can you tell us a little bit about yourselves? We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.
Just like Badmouth you’re releasing this EP only a few months after your album release. Are you always this productive? Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.
Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away? We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.
Which of the songs are you most pleased with and why? It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.
What’s your favorite gig memory? That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.
Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project? Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.
What’s next on the agenda for Akribi this winter? In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.
If you would record a Christmas metal album, which three songs would be on your list? Hey, we’re a metal band! We don’t do Christian things 😉
Thanks for hanging out! We look forward to hearing the songs 🙂
I haven’t made it as a play-mate yet, but I’m not sorry because I’d much rather be a K-mate!
I’ve done many interviews in my day, answering questions about my music and stuff like that. This time the interview was quite different. How would you react if someone asked you how often you pick your nose for example. Would you be offended? I wasn’t because my friend Scott usually says way worse things than that to me. I think he was even restraining himself when he did the interview with me for his new issue of K Composite magazine that’s available FOR FREE in the app store (for iPad).
K Composite
Now if I’d be the only one who was interviewed the magazine would be very thin, (something Scott also realized) so he made an effort and interviewed a whole bunch of other people too. You see the thing with the K Composite magazine is that it’s just a lot of interviews with ordinary – or maybe I should say extraordinary – people. You won’t find celebrities but you will find a bunch of weird questions and answers.
K Composite launched in 1991 as a fanzine and this is the first issue for the iPad. As I’m a designer myself I can tell you that Scott has made a pretty awesome job with the design, playing with different fonts and adding graphics and 3D pictures.
In the end of October 2009 I’m releasing my third album “Jonestown” in the USA and later on in Japan. To give you a preview of the songs from the album I have gathered 12 of my favorite Swedish artists who will each perform one song from the album live with me on tape. Every week a new video is released, with a new song and a new guest artist.
You may have heard his voice on the soundtrack to Gray’s Anatomy and other TV shows. But did you know that The Sunshine is in fact a Swedish band? Well indeed they are, and after a summer with too much rain, I’m happy to present some Sunshine!
This week’s guest artist: Pelle Tamleht, singer in The Sunshine.
Every week until the release of my new album “Jonestown” I”m inviting a new guest artist to perform one of my songs with me. When all the live videos are released there will be a competition where you can win a box with albums from all the guest artists.
