Interview with Akribi

Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson

Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…

Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far?
Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.

Great! Can you tell us a little bit about yourselves?
We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.

Just like Badmouth you’re releasing this EP only a few months after your
album release. Are you always this productive?
Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.

Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away?
We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.

Which of the songs are you most pleased with and why?
It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.

What’s your favorite gig memory?
That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.

Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project?
Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.

What’s next on the agenda for Akribi this winter?
In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.

If you would record a Christmas metal album, which three songs would be on your list?
Hey, we’re a metal band! We don’t do Christian things 😉

Thanks for hanging out! We look forward to hearing the songs 🙂

Listen and pre order E – Part Four of H.A.T.E by Akribi here! You’ll get an instant download of one of the songs! The EP will be released December 1st.

Listen to all the EPs of the L.O.V.E vs H.A.T.E saga here:

L.O.V.E VS H.A.T.E
L.O.V.E VS H.A.T.E

E – Part Four of H.A.T.E

E - Part Four of H.A.T.E by Akribi
E - Part Four of H.A.T.E by Akribi
E - Part Four of H.A.T.E by Akribi

So you thought the year was over? That there would be no more Sofia-songs to enjoy? Well you thought wrong. As a special treat we still have “E – Part Four of H.A.TE” coming up December 1st like an early Christmas gift.

I’m so happy to tell you that the last EP of the H.A.T.E saga is being recorded by Swedish band Akribi, who is the first band in the project to have a female singer (and she’s pretty damn hot too!).

In a sea of generic female-fronted metal bands, Akribi blatantly defies the worn-out gothic/operatic formula, staying uncompromisingly true to its progressive- and melodic metal roots. Based in the Swedish metal capital of Gothenburg, Akribi delivers its own brand of metal influenced by genre-defining acts such as Dream Theater, Symphony X and Marillion, but also by bands far outside the progressive genre.

Their debut album “Black Morning Sun” has recently been released to great acclaim, with reviewers calling it: “a jewel of an album, and a must have for fans of new progressive metal” and “premier league prog metal immaculately recorded with impeccable sound“, with the band being called: “one of the best female fronted progressive metal bands I’ve ever heard“.

So my hopes for Akribi’s addition to H.A.T.E is sky high!

Akribi has actually already sent me a teaser by a few pics from the studio. Let the count down begin!

Andreas by the piano
Andreas by the piano
Alexander in the studio
Alexander in the studio
David playing some licks
David playing some licks!
Jessica recording some magic!
Jessica recording some magic!

My golden sex toy!

As a singer I somethings get invited to fun parties, and this week, I attended the Stockholm fashion week party at Café Opera. Mingeling around, sipping bubbles I came across a table filled with fancy sex toys. Two friends of mine who was hanging around the table eyeing the merchandize, told me they’d just competed for a golden butt plug with matching cuff links 🙂 So I thought I’d give it a try too, for the female prize, a “vibrating couture object” as Lelo describes Yva on their website.

Lo and behold, a few days later I got an email which said I had in fact won! It felt simply unreal. I have few possessions worth 10 000 SEK (about $1400) and even fewer of the vibrating couture kind. As I’m writing this post I’m waiting for the delivery, so I can’t give you a review just yet. But do check out Lelo’s website and their designer toys for adults.

on my way
On my way
yva
Yva from Lelo

Stockholms kulturfestival

If you’re in Stockholm, don’t miss out on this great festival that is mostly for free. I’m playing at K12, the stage outside Café Opera today at 14.00 for free. Never mind I’ve had an irritationg cough for the past three weeks (yes I will go to the doctor next week) and that my bass player has tonsillitis, we’ll be up there performing for you still! I’ve just had three doses of cough medicin and some vitamin C so if I seem a bit drugged…well then that’s because I am 😉 hehe! See you later today
/Sofia