Unmistakably Nordic in flavor, Sofia Talvik somehow still conforms to American interpretations of her own original music, a North Sea siren blending sparkle and melancholy, creating a special niche of folk music.
So I got an email from Georgia who told me that she and her fellow students at the Birmingham Institute of Art and design had made a video for my song “Delusional” from the EP “V – Part Three of L.O.V.E“. Of course I had to share it and here it is!
Created in collaboration with: Georgia Williamson Lilith Winnicott Laura Stubbs Charlotte Burton Kathryn Hughes
Listening to her music, an otherworldly edge, surprising twists and powerful, haunting vocals make her much more than just another pretty folk-pop-acoustic performer. In other words, in Scandinavian music terms that Americans can understand, she’s no ABBA retread and not quite the enigmatic eccentric of Bjork, but carving her own unique and welcome niche in the music world.
CDbaby writes me in their email: “We’re *really* picky about what we feature. We get about 200-250 new albums a DAY coming in here now, (about 200,000 total), and yours is one of the best we’ve ever heard.”
Read the full review here: http://cdbaby.com/cd/sofiatalvik3
SOFIA TALVIK: Jonestown
Fresh from a powerful performance at 2008’s Lollapalooza festival, Sweden’s Sofia Talvik is now poised to conquer the States with the release of her devastatingly beautiful third album. It’s a record of staggering elegance, with the faintest trace of Scandinavian twee and youthful exuberance. (Timpani, crisp castanets, tambourine, all the toys and tricks to put some bounce in your step.) But those forces are tempered by a subtle melancholy that slowly drips down the lonely walls while you listen until, by the last song, you’re drowning in a warm, welcome bath of sad sounds, syrupy string sections, and round, resonant horns. She combines modal chord changes and beautiful 60’s euro-pop production with the gentle singing of a 70’s folk songstress. Her voice shines through the dark tones of dramatic, lush orchestrations and the haze of reverb like a ray of liquid luminescence. “Jonestown” will remind you of Goldfrapp, Pulp, Nico, Joni Mitchell, Nick Drake, Belle & Sebastian, Aimee Mann, Tori Amos, Burt Bacharach (I could go on and on!), and yet it sounds entirely original and, more importantly, rings true.