Unmistakably Nordic in flavor, Sofia Talvik somehow still conforms to American interpretations of her own original music, a North Sea siren blending sparkle and melancholy, creating a special niche of folk music.
Listening to her music, an otherworldly edge, surprising twists and powerful, haunting vocals make her much more than just another pretty folk-pop-acoustic performer. In other words, in Scandinavian music terms that Americans can understand, she’s no ABBA retread and not quite the enigmatic eccentric of Bjork, but carving her own unique and welcome niche in the music world.
“…Not dread but a connection with our past is what we feel, a thread running back to the artless creatures we once were when we first heard the oboe-like notes from the Great Horned Owl. In Paleolithic times, we suspected omens in its voice, heard in it questions we were unable to articulate, but which have stayed within us, incomplete and taunting. We are certain that ancient, taloned bird sees what we do not, knows what we never will. And some night, silent as a gliding feather, its immensity will engulf us at fireside to tell us things we want to know as well as those we don’t. In the shadowed forest we’re pulled by that lurking and alluring ghost and we are enthralled.”Welcome to Twin Peaks: Access Guide to the Town
2011 was a busy year for me. I worked hard to get an artist visa to the US, preparing for a tour that might go on for as long as two years. At the same time I wrote and recorded a new album. Now that I’ve landed in my tour in the US it’s also time for my new album to land. “The Owls Are Not What They Seem” is a collection of 12 new songs. My musical journey started out in 2004 when I recorded Blue Moon and me and my musicians all gathered in a basement studio in Stockholm recording acoustically and almost all the instruments at the same time. After that I tried a more common way of recording in layers, adding instruments upon instruments. For my third album I hired a producer, Tobias Fröberg and for my fourth album Florida i experimented with a bigger soundscape with more drums than I had ever used before.
For “The Owls Are Not What They Seem” I went back to basics. After having done an acoustic solo tour for my album Florida Acoustic in 2010 I felt I was in my best element when I was playing and singing at the same time without the restrains of headphones and click-tracks. So I decided to make an ablum that was the essence of that me. Just something I could record in my bedroom without the pressure of a big production, time and opinions from others. All the songs on “The Owls Are Not What They Seem” are recorded that way. Me – playing and singing at the same time, then sparsely adding other instruments to enhance and highlight where I thought it was needed. My goal was to keep it down and make an acoustic album with a live, organic feel to it. I had no interest in changing the world or inventing something new. I just wanted to make a beautiful acoustic album. And here it is: “The Owls Are Not What They Seem”
You can now pre-order the album here. You’ll get a free track straight away. Physical signed albums will only be available through my website until the release. I also have two special guests on the album; Martin Hederos is playing the piano on “Nothing quite so gentle” and Pontus Borg has lent his voice to “7 miles wide”. Please hit the share button to tell all your friends.
Last night I played at the Fresh Brewed Coffee House in Myrtle Beach, SC and when they heard that I had a few days off they kindly invited me to do another show on Monday January 9th. So around 5.30pm I’ll play some songs in the front room.
If you can’t catch me in Myrtle Beach you might want to try South Port, NC where I’m playing January 11th at the Playhouse 211.
I also did a house concert in Hartsville the other day. I think house concerts are the best because they’re so intimate and you get to meet so wonderful people. It’s really easy to host a house concert too and I’ll come and play in your living room if you want to. Here’s some simple guidelines for how you host a house concert: how to throw a house concert
If you decide this is something you would like to do; check out my concert schedule to see when your state is listed and then go here to contact me.
Here’s some pics from the house concert in Hartsville.
First of all I’d like to say thanks to everyone who’s come to my gigs and supported my tour so far!
I just had a wonderful gig at the Sentient Bean in Savannah. And last night I played at the Conundrum Music Hall in Columbia, SC. I’d like to send out a special thank you to Tom Law who booked me there and so kindly invited us to his home afterwards.
Here’s a little pic from Connect Savannah who did a really nice write up for my gig today and a video from last night.
Tomorrow we’re going to Hartsville and we continue Drivin’ & Dreaming…
This has been a great year with lots of stuff happening. I made 4 EP albums with 4 different producers, the wonderful guys in my backing band. And all of you chipped in and funded the releases so that we were able to finish the project. 4 ass-kicking metal bands did 4 ass-kicking cover albums of my EPs and one of them actually released a video too (or rather will release in a few days so I’m cheating by telling you now) Badmouth made a video of their cover of my song “To watch the bridges burn”, check it out here!
Throughout the year I have worked hard to get an artist visa to the US, and thanks again to my wonderful fans who helped out with house concert contracts and letters of recommendation I finally got my visa and packed my things and went to Florida in November. In December my big “Drivin’ & Dreaming tour” took off and I’ve now been all around Florida playing in different venues. One unexpected thing that I experienced is that I had at least a few loyal fans show up for every gig. I didn’t know there’s be so many of you!
Throughout the tour we’ve had the RV break down and fixed, nothing major yet thank God. We’ve been invited to have dinner with Greg and Michelle of The Refinery, Tampa, for southern shrimps and grits at Sian and Otis’ in St Petes and to stay the night in a really cool A frame cottage with Doris in Melrose to mention a few of all the lovely people we’ve encountered along the way.
It’s now time to say good bye to Florida and head up to South Carolina and Georgia for January. Many new experiences are to come, many new shows to be played. We’re heading into new states and a new year. In January my new album “The Owls Are Not What They Seem” will be released and I hope you will continue to support my tour as I go through America in my old RV – Drivin’ and Dreaming.