Unmistakably Nordic in flavor, Sofia Talvik somehow still conforms to American interpretations of her own original music, a North Sea siren blending sparkle and melancholy, creating a special niche of folk music.
So my “Jonestown” album has been out of stock for a while, since we sold out on the Drivin’ & Dreaming tour, and when I was touring the US I could only offer a “light” version of the CD without booklet, which also sold out. 😮
But guess what!
A box of the original print of the Jonestown album, complete with an 8 page booklet featuring all the lyrics has materialized in my basement and is just waiting for you to take it home! So go here to get your copy of my best selling album today, but hurry, there is only a limited number!
Indie distributer CDbaby just recently chose my new album The Owls Are Not What They Seem as their editor’s pick, gave it 5 stars and wrote this lovely review!
[quote] In 2008, Sweden’s Sofia Talvik put out an impressive album — Jonestown — which wowed me with its lush orchestrations and catchy, melancholic 60’s-pop songs, tunes that wouldn’t have been out of place on any of Goldfrapp’s NON-disco albums. The following year, Talvik released an equally ambitious, subtly-searing album called Florida that was haunted by the ghosts of Dustbowl folk and countrified Southern Gothic. In 2011, the prolific indie-songstress put out 4 EPs that previewed remixed versions of songs that would end up on this year’s full length, The Owls Are Not What They Seem. The new record is a departure for sure — still catchy in its way, though the earworms have more room to sprawl— still lush, though the flute and string accompaniments are more restrained and the tremolo guitars serve only as punctuation. What’s different this time around? Mood: Owls is a slow-burning folk pop gem that wanders and searches as if dreaming itself into being. Think Nick Drake, Kings of Convenience, and Blue-era Joni Mitchell. Talvik’s voice can be both rich and whispery, and each breath seems to bend toward some hidden sadness, as if tugged by an undercurrent we can’t quite see; but we feel its force as the music unfolds, swirls, and closes around us.[/quote]
We’re down to the final week before “E – Part Four of L.O.V.E” is about to released, which means that this is you last chance to pre-order a CD, T-shirt or any of the other items on the pledge site.
All the items are hand made by me and are exclusive to this EP, meaning they will only be available for pre-order and can’t be purchased after the release. All the CDs have hand made covers and are signed as well. The posters are signed and numbered.
You’ve heard some previews of the songs and I hope you like them. Today I’m posting a little video blog from when we’re mixing the song Lower Case Letters. As you know my producers have each chosen one of my previously released songs to make a re-make of and Marcus chose Lower Case Letters from the album Jonestown.
As usual you’ll get to hear a preview of the finished song at the end of the video.
We caught a few moments with Chris LeMon from Badmouth to hear what his thoughts about their new EP “T – Part Three of H.A.T.E” are. “T – Part Three of H.A.T.E” will be released November 1st and you can pre-listen and pre-order it here!
Hi Badmouth! You’re making “T – Part Three of H.A.T.E” would you start by telling us a little bit about your music and your band? Badmouth started 4 years ago, we released our debut album in 2008 and our second album this summer, which is produced by Chips Kiesbye. When we got the offer to do this EP we just couldn’t resist, such a cool thing to be part of, so even though we just released the album we called Chips and he was up for it … Badmouth is rock’n’roll, its about having a good time, we are having a great time and we want the crowd to smile as they see us live, its all about the love for music …
You’re usually writing your own songs, so what did you think was the hardest part of making Sofia’s songs feel like your own? Actually nothing was hard … haha … It’s great songs! The hardest one was “To watch the bridges burn” we had a different version going first but it was just strange … haha … but then we tried the way it is now and it sounds great! So it has only been a lot of fun!
Which one are you most happy with and why? I guess it depends who you ask in the band, for me personally I would say Jonestown, I think the arrangement turned out great and it is truly a great song, but I also think Bridges turned out great in a different way, to me its a radio hit! I think it’s cool that all four songs turned out so different from each other so I would say I am really happy about all four ...
Rumor has it you’re on tour with Gilby Clarke from Guns & Roses, how did that come about? Totally true, actually sitting in the tour bus right now on our way to the last show, it’s been a great tour, 8 shows in Sweden … Well, I also work as a booking agent and I booked this tour and Gilby needed a band and it wasn’t hard for me to suggest the best band to him 😉
What’s your all time favorite tour memory? There’s a lot, and some things that shouldn’t be mentioned here 😉 But right now I would say this tour, to be on a stage with Gilby Clarke is truly a dream come true!
Making rock music out of singer/songwriter tunes isn’t something bands do every day. What did you think about the experience and would you do it again? I would love to do it again, this shows that good songs are good songs no matter which category you place them in … We actually said that if this EP becomes a hit we will have Sofia write our next album! 😉
What’s your recipe for success? Be yourself and love what you do!
What’s in store for you this fall? Well, the release of the EP is the next thing and we have a release party for it in Stockholm on November 4th at RoQ. As soon as we are back from the road we will start planning the next tour, the main goal is to play live as much as possible and get out the word of BADMOUTH!
Thanks for chatting with us, can you tell us your three favorite songs right now? Thank you! Wow that’s difficult but right now I would say “Jonestown”, “Heavy Metal Parking Lot” (Badmouth) and “Tijuana Jail” (Gilby Clarke)