Unmistakably Nordic in flavor, Sofia Talvik somehow still conforms to American interpretations of her own original music, a North Sea siren blending sparkle and melancholy, creating a special niche of folk music.
A couple of days ago I visited The Left End on WERS 88.9 FM in Boston and you can tune in and listen to it Sunday night (early Monday morning) June 25th 12:15 am EST. So all you Europeans are in luck as this means Monday morning for you. Pretty early but still. I’ll also try to put up a link so that you can listen later on if you miss it. To listen go to http://wers.org/ and click either of the buttons on the top of the page that says LISTEN LIVE (you can also click directly here)!
When I got there they told me about this lady that had been there a day before me with all her foot pedals … turned out to be fellow Swede Theresa Andersson. Too bad we missed each other in Boston!
Innan jag börjar gotta mig i den nya fina recensionen min skiva The Owls Are Not What They Seem har fått så vill jag gärna pålysa lite tråkiga nyheter om den svenska media- och musikbranschen. Eller jag nyheter är det väl inte direkt, i alla fall inte för oss independent-artister som kör vårt eget race med egna skivbolag.
Mitt bolag Makaki Music som jag drivit sedan 2006 är givetvis med i SOM – Svenska Oberoende Musiker. Och idag fick jag den här hemska statistiken från dem i ett mail: “Under vinterns arbete i SOM kring sammanslagningen EMI/Universal har statistik framkommit som visat på en ännu mer massiv dominans inom media än vi tidigare trott (90-95 % majorreleaser på Europeisk nivå) och då främst på radio.”
Det är tufft som det är för oss DIY-artister. Men att svenska media är så jävla köpta (ursäkta kraftuttrycket) får mig att må smått illa. Jag släpper skiva ungefär med 1,5-2 års mellanrum och TOANWTS är min 5e(!) skiva. Varje gång kämpar jag hårt med inspelning och sedan minst lika hårt med promotion. Men vad hjälper det när man är borträknad direkt för att man inte ligger på ett storbolag?
I November förra året tog jag mitt pick och pack och drog till USA för att turnéra på obestämd tid framåt (vi siktar på 2 år). Idag känner jag att det var det enda rätta, för jag har ju ändå ingen chans att få in mina låtar på rotation på svensk radio – även om 7 Miles Wide från min nya skiva blev framröstad av både jury OCH svenska folket som veckans överlägsna vinnare i p4 radio stockholm för ett tag sedan. Vad svenska folket gillar bryr sig nämligen inte radio och tidningar om. Låter jag bitter? Well kanske lite, men kan ni klandra mig när statistiken är som den är?
På sitt femte album låter förra Uppsalabon Sofia Talvik sin akustiska musik bli än mer avskalad men samtidigt också än mer mångbottnad. Den spröda, sårbara sången och de skimrande vackra refrängerna skapar drömska stämningslägen, där en känsla av skymning och ett ödsligt, vidsträckt nattlandskap kommer allt närmare ju mer man lyssnar.
Trots ett synbart vänt anslag målar musiken fram bilder av ett annalkande mörker där oanade faror lurpassar. Kontrasterna mellan det sköra och det hotfulla gör att skivan känns allt annat än förutsägbar och helheten är synnerligen fängslande.[/quote] Av: Stefan Warnqvist
I have two exciting things to announce! I’m playing at the SXSW festival in Austin, TX in March and here’s two ways you’ll be able to join me there! Firstly I’m going to be a part of “Discover Me @ Austin” which is a video interview made by Twenty.Me.
The Twenty.Me app is free from the iTunes store but is currently in BETA. Fans will be able to learn more about bands playing at SXSW by typing in the band name, in my case; SofiaTalvik@. There you can listen to my music and learn about the me, as well as get my SXSW schedule. The interview will be made on February 21st at 1pm CST on the Spreecast site.
Spreecast is a social video platform that lets people broadcast together and create shared experiences. In a Spreecast social video stream, up to four people at a time can interact face-to-face on screen, while hundreds of others can watch, chat, and participate by submitting comments and questions. The creator of a spreecast uses producer controls to determine who comes on camera and when. That means that if you want to come online and ask me questions for the interview you can create your own account and do that at Spreecast. You can join with your own spreecast or simply submit questions. The great thing is that it’s early enough for the US so that all you Europeans can join too. The local time in Sweden will be 8 in the evening.
So the second way you can join me at SXSW is actually by getting a free wristband. And here’s how you do that:
Sonicbids has an official party at SXSW and by voting for me once a day and helping me get to the top list I’ll get to play at the party. If you go vote for me now you have to chance to win TWO wristbands for the party!!!!
Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…
Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far? Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.
Great! Can you tell us a little bit about yourselves? We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.
Just like Badmouth you’re releasing this EP only a few months after your album release. Are you always this productive? Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.
Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away? We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.
Which of the songs are you most pleased with and why? It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.
What’s your favorite gig memory? That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.
Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project? Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.
What’s next on the agenda for Akribi this winter? In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.
If you would record a Christmas metal album, which three songs would be on your list? Hey, we’re a metal band! We don’t do Christian things 😉
Thanks for hanging out! We look forward to hearing the songs 🙂
I’m so happy to announce that “T – Part Three of H.A.T.E” will be recorded by Swedish hard rockers Badmouth. Badmouth released their latest album Heavy Metal Parking lot to much praise in September 2011. H.A.T.E is the mirror project to my L.O.V.E project, where 4 rock bands make their own versions of the songs from L.O.V.E. “T – Part Three of H.A.T.E” is the rock version of “V – Part Three of L.O.V.E” which you can find here!
Working with producer Chips Keisbye (The Hellacopters), Badmouth have spent the last few years raking up some a great track record. The quintet has been featured in top Swedish Rock magazine, Red Hot Rock, top British rock magazine Classic Rock and had their material covered by Bruce Dickinson on his 6Music Rock Show among others.
The band did a handful of European tours in 2009, opening for Kingdom Come, LA Guns and Pretty Boy Floyd and played shows with Sator, Zodiac Mindwarp and The Poodles among others.
Right now they’re backing up Gilby Clarke from Gun’s & Roses on his Sweden tour and I’m so looking forward to hear their versions of my songs.
