Interview with Akribi

Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson

Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…

Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far?
Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.

Great! Can you tell us a little bit about yourselves?
We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.

Just like Badmouth you’re releasing this EP only a few months after your
album release. Are you always this productive?
Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.

Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away?
We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.

Which of the songs are you most pleased with and why?
It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.

What’s your favorite gig memory?
That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.

Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project?
Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.

What’s next on the agenda for Akribi this winter?
In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.

If you would record a Christmas metal album, which three songs would be on your list?
Hey, we’re a metal band! We don’t do Christian things 😉

Thanks for hanging out! We look forward to hearing the songs 🙂

Listen and pre order E – Part Four of H.A.T.E by Akribi here! You’ll get an instant download of one of the songs! The EP will be released December 1st.

Listen to all the EPs of the L.O.V.E vs H.A.T.E saga here:

L.O.V.E VS H.A.T.E
L.O.V.E VS H.A.T.E

V – Update #6

Mastring 'V - Part Three of L.O.V.E'

Janne is mastering the new EP ‘V – Part Three of L.O.V.E’ and I joined him in the studio. I was also told I’ll never be a drummer, but we’ll see about that mr Joakim …

We’re almost at 100% now so please help me raise the few bucks that are left. Go HERE to pledge!
‘V – Part Three of L.O.V.E’ will be released September 1st!

Pledge for ‘V – Part Three of L.O.V.E’

V - Cover

It’s been amazing that I have received so much help, support and interest from my fans during the production of my two latest EPs. Thanks to YOU I have been able to record and release them, and for that I am eternally grateful!

Now it’s time for me to start making part three of the L.O.V.E saga and I need your help again. This time it will be a little bit different. For one I’m using Bandcamp instead of Pledgemusic and this time I have affixed packages to make it easier for you to choose your level of involvement. Like before, you’re very welcome to send me an email or comment below if you feel that something is missing amongst the items available to pledge for and I’ll be happy to include it. You will still receive updates from the project such as blogs, pics and videos.

The interesting thing about this project is that I have four different producers, the four guys that also happen to be in my backing band. They are all very talanted but they all have very different taste in music and I thought it would be interesting to see how they interpreted my songs if I gave them the chance.  ‘L’ was produced by my cello player Christian Hörgren and ‘O’ by my drummer Joakim Lundgren. We’re now down to ‘V’ and this time it’s my bass player Janne Manninen who produces the EP. His roots are more dance and electronica than the others and this EP will be very different from all my other stuff. But it’s still me doing the vocals and guitar and it’s all my songs, just in a new exciting suit.

So, go and check out the new design on the tees and posters and start choosing your pledge package. Go to the pledge site for more information about the different items and how to pledge. Thanks again for helping me out!

V - Cover
V - Cover

H.A.T.E is all around us

Ball Of Mayhem

L – Part One of the L.O.V.E saga was released in February. We’re working on “O” which will be released in the beginning of summer. But you might not have known that the L.O.V.E saga has an evil twin called H.A.T.E …

H.A.T.E will consist of 4 EPs, just like L.O.V.E. They will even contain the same songs. So what’s the difference? Well H.A.T.E is the rock version of L.O.V.E. Four rock bands will make one EP each. First out is British band Ball of Mayhem. I managed to get a little interview with Dave Chrisp from the band, and here’s what he’s got to say about their upcoming EP “H”.

Ball of Mayhem
Ball of Mayhem

Hi David! You’re part of the rock band Ball of Mayhem that is about to release the first EP “H” in the H.A.T.E quadrology. We’re so excited for the release! Tell us a little bit about your band!
Hi.Well Ball Of Mayhem started about ten years ago then under the name Slugfist by my brother Terry (Lead vocals, rhythem guitar) and Stephen (Bass). Since then it has had a few line up changes. I joined about three years ago and our Drummer Jack and Lead guitarist Zac joined just last year. We are all from and are based in the North East of England. Our name kind of represents the sheer variety in our sound, while all of our songs are what you would call heavy there is a big mix of catchy power metal songs with soaring vocal harmonies to out and out stomping metal with monster riffs! We like to keep our sets so you just dont know what is coming next.

How did you get involved in the project?
Well I’d like to say it was something rock and roll like we got talking backstage at Glastonbury or something but it was actually through Facebook. I saw Sofia’s post asking for Metal bands to be involved in a project so I replied to that and here we are!

Sofia’s music is quite different from Ball of Mayhem’s. Have you listened to Sofia’s music before and what was it like to interpret the songs?
Yeah I was familiar with Sofia’s music for a long time before this project. I’m a fan of Bernard Butler and first heard of Sofia after they did “It’s just love” together and have always kept up with what Sofia has been doing.

It was a lot of fun working on the songs, we got to work as soon as we received her EP. Me and Tez (Terry)  just sat in his conservatory listening to it over a few beers and straightaway had a good idea as to what form each song would take. Once we started arranging them it was pretty obvious that they were going to work really well as metal/rock songs.
Usually it’s the other way around, singer/songwriters that turn rock songs into sweet mellow versions. Do you think it’s harder turning an acoustic song into a rock song or why do you think that is?
I dont think it is, in a way I think it gave us more scope for arrangements as metal/rock is so broad and there are so many different styles of it that can be applied. We were able to add to the basic structure of the songs while not making them unrecognizable from the originals. It would of course be easy just to speed everything up, put loads of guiars on and scream all the way through but we wanted to keep them as “Proper songs” so we went for that big metal anthem sound on all of them.  I think if you are going to do a cover you really need to put your own stamp on it otherwise what is the point?

How is this EP different from what you usually play?
While we do have catchy songs in our set I would say that these are generally more melodic than what would would normally do. We would perhaps keep a catchy melody/hook for a chorus or a break but these songs have that throughout. The subject matter is not something we would normally sing about either! I dont think any of us would dare turn up to a practice and say “Hey I’ve wrote this really heartfelt song about a love lost that I want us to try…..”

Which is your favorite of the 4 songs and why?
Tough question as personally I have favourite bits of them all. Sofia’s versions I’d say Nothing quite so gentle, it just sounds like a single and is a great vocal, great melody, this was probably the easiest to cover.

Our versions I’d have to say Bittersweet bliss, the chorus is a really nice lift after the almost spoken verses, this one really rips along. But the intro to Everyones favourite concubine is a real band favourite, when it kicks in it is just huge with Jacks thumping doubles on the drums with the pounding guitars yet still has that nice little riff that is being picked on the original. We actually had an idea for a song that we never used that started like this and it just fitted perfect when we tried it out. We’re planning on playing this live in a couple of weeks as a set closer and we’ve already had people pop in at practice saying how awesome it sounds.

Listen to a preview here: Bittersweet Bliss version by Ball of Mayhem

What’s next for Ball of Mayhem?
We’ve just came first in a Battle Of The Bands competition which was great for us, we are starting to get more widespread gigs now which we hope continues as we are starting to get a nice little fanbase now. We’re hitting the studio to record our next EP next month which we plan to release later this year. We have some really big songs that we cant wait to get recorded.

After that who knows, maybe take over Sweden?!, I’ve heard it’s nice there.

You can listen to Ball of Mayhem here: www.myspace.com/ballofmayhem

2nd highest building in the world

We’ve just been up in the CN tower in Toronto. Pretty high up. they even had a glass floor that you could walk on, nothing for people who are afraid of hights I tell you. My drummer Joakim and I jumped on it, though our instincts did scream noooo! Tonight we’re showcasing on Bread&Circus, 9pm. I feel like I’m coming down with a cold, the worst possible scenario, but I do have like the worst immune system in the world. I’ve been fed with echinaguard and esberitox by my band so hopefully it will pass quickly.


Vlog from CN tower

CN tower
CN Tower fom the outside
Tourists
Being tourists!
View 1
View from the tower
Glass floor
Like standing on thin air
view 2
Massive shadow from the tower
posing
Joakim taking a photo of Christian
View from the tower