Unmistakably Nordic in flavor, Sofia Talvik somehow still conforms to American interpretations of her own original music, a North Sea siren blending sparkle and melancholy, creating a special niche of folk music.
I just got contacted through my Sonic bids EPK by an organization called Bands With A Mission. They took on a personal approach by mentioning one of my songs, but I’ve gotten these kinds of emails before and soon got suspicious of their motive.
I think it’s so mean when people try to profit on struggling bands and artists. It’s like this online magazine called Indie Music Reviewer that I sent my album to for a review a while back. I instantly got an automated email saying that I’d be guaranteed a review if I bought this or that advert space. So now every time I see a band being reviewed by them I just wonder if the score they got reflect how much they paid.
I really think companies like that suck and I feel sorry for the artists that get lured into paying money for shit like that.
Last night I played at the Fresh Brewed Coffee House in Myrtle Beach, SC and when they heard that I had a few days off they kindly invited me to do another show on Monday January 9th. So around 5.30pm I’ll play some songs in the front room.
If you can’t catch me in Myrtle Beach you might want to try South Port, NC where I’m playing January 11th at the Playhouse 211.
I also did a house concert in Hartsville the other day. I think house concerts are the best because they’re so intimate and you get to meet so wonderful people. It’s really easy to host a house concert too and I’ll come and play in your living room if you want to. Here’s some simple guidelines for how you host a house concert: how to throw a house concert
If you decide this is something you would like to do; check out my concert schedule to see when your state is listed and then go here to contact me.
Here’s some pics from the house concert in Hartsville.
In just a week my US tour begins. December is already packed with gigs all over the Sunshine State (Florida). I mean it’s the place to be when my home country is all dark and cold, right! So I packed my bags and flew over the ocean and here I am. I just bought an RV that I’m fixing up so I can have somewhere to lay my hat on the road. It’s an old Gulfstream Conquest, and it turned out to be a bit more work that I had hoped for. But now that we tore most of the interior out, we can start putting things in and hopefully we’ll be able to live in it a week from now (termites and water leaks hopefully gone).
The first gig is at the Broward Folk Clubat Your big picture Café in Davie, December 2nd. Then we’ll head back to Orlando and work our way from there down the west coast and then up the east coast. You can find all information about dates and venues HERE! If you are interested in hosting a house concert or have a venue that you would like me to play at, please contact me here!
Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…
Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far? Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.
Great! Can you tell us a little bit about yourselves? We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.
Just like Badmouth you’re releasing this EP only a few months after your album release. Are you always this productive? Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.
Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away? We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.
Which of the songs are you most pleased with and why? It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.
What’s your favorite gig memory? That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.
Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project? Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.
What’s next on the agenda for Akribi this winter? In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.
If you would record a Christmas metal album, which three songs would be on your list? Hey, we’re a metal band! We don’t do Christian things 😉
Thanks for hanging out! We look forward to hearing the songs 🙂
We’ve already reached 41% of our goal! Thanks so much for helping me get some good music out there once again!
You’ve already heard one of the demos from the new EP, but I’m going to treat you to some more. One thing that I really like is when my fans contact me and tell me what they would like me to deliver. I can only assume you all want some good music, so it really helps me out when you share your ideas with me, and the other day Christoffer from Sweden emailed me and told me he’d really like to hear the demos before they were all produced and ready for release.
So for the first pledge update for “E – Part Four of L.O.V.E” I’m going to post some demos.