Interview with Akribi

Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson

Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…

Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far?
Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.

Great! Can you tell us a little bit about yourselves?
We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.

Just like Badmouth you’re releasing this EP only a few months after your
album release. Are you always this productive?
Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.

Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away?
We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.

Which of the songs are you most pleased with and why?
It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.

What’s your favorite gig memory?
That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.

Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project?
Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.

What’s next on the agenda for Akribi this winter?
In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.

If you would record a Christmas metal album, which three songs would be on your list?
Hey, we’re a metal band! We don’t do Christian things 😉

Thanks for hanging out! We look forward to hearing the songs 🙂

Listen and pre order E – Part Four of H.A.T.E by Akribi here! You’ll get an instant download of one of the songs! The EP will be released December 1st.

Listen to all the EPs of the L.O.V.E vs H.A.T.E saga here:

L.O.V.E VS H.A.T.E
L.O.V.E VS H.A.T.E

Get a free summer single!

strawberries on my tongue
Summer is here!! And so is my new summer single “Strawberries on my tongue”. This first week all of you who have twitter gets the new single for free before everyone else, with just one tweet. When you add your twitter name and password here, you get a download link to the single, and your twitter account automatically sends out a message on your twitter flow that you downloaded the single. (no information of names and passwords is saved so don’t worry). This is the way you pay for the single, by simply telling your friends about it. Neat huh!

The single is mixed by renowned producer Magnus Frykberg and the B-side (YES! You get two versions of this baby) is a live recording with a guest performance from world musician Steafan Hannigan who has worked with Björk and Depeche Mode to mention a few.

Florida Music Festival
On saturday the 16th you’ll be able to see me live, and hear the summer single live as well at Florida Music Festival! I’m playing at “The Social” (downtown Orlando) 9pm. Be sure to come by and have a listen!

Jonestown on a CD Baby Playlist!

cdbaby
I got a mail today from CD Baby, the largest indie-distributor in the U.S. They LOVE the Jonestown CD and are putting it on their “Haunting, Fractured Folk Pop collection” playlist.

Check it out here: https://cdbaby.com/playlist/7

This is what they said about the album:
“The CD Baby editorial staff hears hundreds of albums every day and we love your “SOFIA TALVIK: Jonestown” CD so much we’re going to include it in our upcoming Haunting, Fractured Folk Pop collection which will be featured on cdbaby.com for one week beginning on Wednesday, December 31st 2008.”

I told you so!

It’s the money shot! reviews Blåa Linen Hem from an English perspective:

sofia talvik: new single “blåa linjen hem”.

SOFIA TALVIK makes me wish that I knew Swedish.

She just released her summer single “Blåa linjen hem”. I couldn’t tell you what it’s about. It could be about anything from clubbing baby seals or clubbing with baby seals. Despite this, Sofia ensures us English speaking fans that we’ll love it no matter what we think the lyrics are, and she’s absolutely right in this case. Well, at least she’s sort of right, because I certainly love it.

She also ensures fans that this song is just a sudden outburst of summer, and while it may sound very different from her other music…you should not fret! She hasn’t entirely swapped genres. Fortunately, if she did ever decide to switch up her sound, she could TOTALLY pull this style off. Girl sounds good on them horns.

Beautiful Bass

It’s been a hectic week to say the least. I decided to skip one of the songs for the album (as everybody thought it was horrible except me, haha) and had to choose and record a new one. I decided for yet another song with the word “shoe” in the lyrics and probably will have to rename the entire album to “shoes” now 🙂 .We decided not to put Baby, eeerr I mean Anders, in the corner anymore (as he was forced to be there during the recordings of the last album, that studio simply wasn’t big enough for him and his bass) so we even gave him his own room this time. Check out the video here:

[flv:/video/recordingbass.flv 320 240]

I’m nothing but truly impressed of the way he nailed all these songs in just six hours. We rehearsed a few of them for the gig at Landet and the radio gig last week but there were several he never heard before and he did brilliantly! Even the song “Holding your hand” which he renamed “the Zappa-song” because of all the half times hidden in it. Being unrehearsed may not be the ultimate way of doing it but I must say it does add a kind of nerv that you don’t get if you know the songs too well.

Anyway, next week we’ll be recording Marcus and his guitars, yep he’ll be doing both acustic and electric this time. And I’ll record the last song for the album (no shoes in that one), which I have to do in the studio where we recorded the bass, because I have to play and sing at the same time.

In the meantime, listen to a sample from “I won the first price tonight”

take care now and I’ll see you all next week.

The studio
Me as the true technician.. press "rec" press "stop"... Jonas, behind the camera, did all the real work.
No wonder we had to give Anders a bigger room, we couldn't even fit him into one frame...
It's a kind of magic: the other halft of Anders
Now here's the big picture! With a bit of a distance we managed to get all of him. Isn't it beautiful, well it sure sounds beautiful!