Space City Rock!

I missed out on my gig at the Super Happy Funland SXSW after party in Houston this week as my tour bus broke down in Austin, but Space City Rock blog did a really great write up for the gig. I hope people found out in time that I couldn’t make it. I’m playing March 25th at Dun Bros Coffee in Katy, TX instead if you want to come and see my show.

[quote] I’ll admit to being somewhat biased towards Swedish musicians, these days; few other countries crank out thatmany crystalline-perfect pop songwriters, year after year and decade after decade (think Abba, Peter Bjorn and John, Miike Snow, The Cardigans, Jens Lekman, Jose Gonzalez, etc., not to mention less-pop folks like The Knife or The Hives).

And happily, Swede Sofia Talvik doesn’t shatter my illusions, delivering an impeccably-crafted set of songs that draws on gentle country-folk and fey indie-pop, somewhere in between the mysterious beauty of Eisley (or maybe Tori Amos) and the floating folkiness of Hem. It’s good stuff. [/quote]

Sofia at SXSW

Awsome gigs today

We had a busy day, 3 gigs and a radio interview AND I got to see Tori Amos (at least the three last songs).

Here’s a small vid from the first gig at Red Gorilla Fest today, the distortion of the sound is from the iPhone, the set sounded just fine live 🙂

gorilla
Red Gorilla Music Fest
roof
Rooftop gig at the Swedish-American Chamber Of Commerce

teresa
I also really enjoyed Teresa Andersson's gig (above) and the band that played before me at Red Gorilla!
radio
We finished the night with a quick radio gig at Logan's

CDbaby – editor’s pick

CDbaby writes me in their email: “We’re *really* picky about what we feature. We get about 200-250 new albums a DAY coming in here now, (about 200,000 total), and yours is one of the best we’ve ever heard.”

Read the full review here: http://cdbaby.com/cd/sofiatalvik3

CdBaby about Sofia Talvik
SOFIA TALVIK: Jonestown
Fresh from a powerful performance at 2008’s Lollapalooza festival, Sweden’s Sofia Talvik is now poised to conquer the States with the release of her devastatingly beautiful third album. It’s a record of staggering elegance, with the faintest trace of Scandinavian twee and youthful exuberance. (Timpani, crisp castanets, tambourine, all the toys and tricks to put some bounce in your step.) But those forces are tempered by a subtle melancholy that slowly drips down the lonely walls while you listen until, by the last song, you’re drowning in a warm, welcome bath of sad sounds, syrupy string sections, and round, resonant horns. She combines modal chord changes and beautiful 60’s euro-pop production with the gentle singing of a 70’s folk songstress. Her voice shines through the dark tones of dramatic, lush orchestrations and the haze of reverb like a ray of liquid luminescence. “Jonestown” will remind you of Goldfrapp, Pulp, Nico, Joni Mitchell, Nick Drake, Belle & Sebastian, Aimee Mann, Tori Amos, Burt Bacharach (I could go on and on!), and yet it sounds entirely original and, more importantly, rings true.

author: Chrisr at CD Baby