Unmistakably Nordic in flavor, Sofia Talvik somehow still conforms to American interpretations of her own original music, a North Sea siren blending sparkle and melancholy, creating a special niche of folk music.
I'm counting days til the 8th of november. That's when the album should, and hopefully will be, mixed and finished.
Today we added the last instrumental parts, a wonderful arrangement for three saxophones written by Hanna for the song "will you call me when you're sober". Now hold it, I know what you're thinking; "hmmm…saxophones, you mean like early Sting or perhaps that funky sound of Tina Turner?" But I promise you, it's nothing like that at all. Actually the saxophone parts on this album has sort of become my favourite sound. You rarely hear it in popmusic today, at least not like this.
Hanna (who plays the soprano saxophone) brought her friend Nis (who plays the baryton) and I barely had time to say "saxophone" before they were finished with the recordings and out the studio door. I'm so lucky to have such talanted musicians playing on this album, but then again, they're so lucky to have such a great producer (me!) hehe. Just kidding, but it's coming out just wonderful som I'm very happy with it.
Now, it may have been a quick recording this afternoon, but you will have all the time in the world to enjoy it as I'm posting a sample for you to listen at.
It’s been a hectic week to say the least. I decided to skip one of the songs for the album (as everybody thought it was horrible except me, haha) and had to choose and record a new one. I decided for yet another song with the word “shoe” in the lyrics and probably will have to rename the entire album to “shoes” now 🙂 .We decided not to put Baby, eeerr I mean Anders, in the corner anymore (as he was forced to be there during the recordings of the last album, that studio simply wasn’t big enough for him and his bass) so we even gave him his own room this time. Check out the video here:
[flv:/video/recordingbass.flv 320 240]
I’m nothing but truly impressed of the way he nailed all these songs in just six hours. We rehearsed a few of them for the gig at Landet and the radio gig last week but there were several he never heard before and he did brilliantly! Even the song “Holding your hand” which he renamed “the Zappa-song” because of all the half times hidden in it. Being unrehearsed may not be the ultimate way of doing it but I must say it does add a kind of nerv that you don’t get if you know the songs too well.
Anyway, next week we’ll be recording Marcus and his guitars, yep he’ll be doing both acustic and electric this time. And I’ll record the last song for the album (no shoes in that one), which I have to do in the studio where we recorded the bass, because I have to play and sing at the same time.
This is my daily routine: come home from work, embark myself in my bedroom studio and play until my fingers bleed.
It gets really hot in there as well as I have to have all windows and doors closed. So today I had to cut off a pair of nylon stockings, make little holes for my fingers and use it as a glove on my left hand because my palm was so damp and I couldn´t change the chords fast enough and kept getting stuck. Not very stylish I tell you, but it worked!
Anyway, I feel rather content with todays recording even though I kept getting cramps in my hands and my fingertips are kind of sore now
I decided to post a little sample of today´s recording of "It´s silly now". I haven´t begun recording the band yet so it´s just me so far. Maybe I´ll add new versions later and you can all hear how the song evolves with more instruments.