Unmistakably Nordic in flavor, Sofia Talvik somehow still conforms to American interpretations of her own original music, a North Sea siren blending sparkle and melancholy, creating a special niche of folk music.
Everytime I need to do something, like recordings for a new album or something. I get this urge to do something else, something that I don’t need to do. That’s how I started doing the Christmas singles and all the other stuff that I do, just me, just by myself. So I guess it was no surprise that instead of going through the recorded files last week, I picked up the guitar and learned the old classic “Wichita Lineman”. Years back I had a brief collaboration with Swedish artist Niclas Frisk (Atomic Swing, A Camp). He was the one who first played me this song and I still love it. So thank you Niclas! And here’s how it turned out sounding in my kitchen…
It’s been a hectic week to say the least. I decided to skip one of the songs for the album (as everybody thought it was horrible except me, haha) and had to choose and record a new one. I decided for yet another song with the word “shoe” in the lyrics and probably will have to rename the entire album to “shoes” now 🙂 .We decided not to put Baby, eeerr I mean Anders, in the corner anymore (as he was forced to be there during the recordings of the last album, that studio simply wasn’t big enough for him and his bass) so we even gave him his own room this time. Check out the video here:
[flv:/video/recordingbass.flv 320 240]
I’m nothing but truly impressed of the way he nailed all these songs in just six hours. We rehearsed a few of them for the gig at Landet and the radio gig last week but there were several he never heard before and he did brilliantly! Even the song “Holding your hand” which he renamed “the Zappa-song” because of all the half times hidden in it. Being unrehearsed may not be the ultimate way of doing it but I must say it does add a kind of nerv that you don’t get if you know the songs too well.
Anyway, next week we’ll be recording Marcus and his guitars, yep he’ll be doing both acustic and electric this time. And I’ll record the last song for the album (no shoes in that one), which I have to do in the studio where we recorded the bass, because I have to play and sing at the same time.
The studioMe as the true technician.. press "rec" press "stop"... Jonas, behind the camera, did all the real work.No wonder we had to give Anders a bigger room, we couldn't even fit him into one frame...It's a kind of magic: the other halft of AndersNow here's the big picture! With a bit of a distance we managed to get all of him. Isn't it beautiful, well it sure sounds beautiful!
