Interview with Akribi

Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson

Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…

Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far?
Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.

Great! Can you tell us a little bit about yourselves?
We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.

Just like Badmouth you’re releasing this EP only a few months after your
album release. Are you always this productive?
Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.

Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away?
We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.

Which of the songs are you most pleased with and why?
It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.

What’s your favorite gig memory?
That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.

Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project?
Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.

What’s next on the agenda for Akribi this winter?
In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.

If you would record a Christmas metal album, which three songs would be on your list?
Hey, we’re a metal band! We don’t do Christian things 😉

Thanks for hanging out! We look forward to hearing the songs 🙂

Listen and pre order E – Part Four of H.A.T.E by Akribi here! You’ll get an instant download of one of the songs! The EP will be released December 1st.

Listen to all the EPs of the L.O.V.E vs H.A.T.E saga here:

L.O.V.E VS H.A.T.E
L.O.V.E VS H.A.T.E

No country for old men

We’re on the road. Stuck in a too small pick up truck. The only upside is the Jack Daniels for the guys and the scenery for me. Tonight we’re staying at a really lousy motel. Motel 6 would look like the Hilton compared to this ;-). Well at least I have wifi so I can do my blogs, check my emails and all that. We’ve been joking about staying at a motel like the ones in “No country for old men” and now we are. We walked to a Mexican restaurant across the street and while we were in there the guys spotted a man that looked EXACTLY like the guy in “No country for old men”. I tried to take a picture of him with my iPhone, it’s not great but you’ll see.

I’m really looking forward to coming to Austin so we can decide our own pace and our own stuff and have some fun and play some music.

Check out the guy in the back

The real deal

An here’s some “on the road” pictures

Beautiful scenery in California

the back seat crew

on the road

Janne met a giant roadrunner

Welcome to Texas


A giant roadrunner made out of sneakers

Got Facebook?

I’m a fan of social media and are always looking for new way to spread my music and connect with new fans. Now I’m integrating my site with facebook and other social platforms.

I just added the ability to use your facebook account to comment and tell your friends about my music, upcoming albums, videos and other news you stumble upon while reading. In the coming weeks I will also implement functions to support more sites like Twitter, MySpace, Google, etc.

People that connect with my site and become fans will of course receive first hand exclusive deals and free songs before anyone else. Be sure to drop comments on my posts and tell all your friends.

Facebook comments

Sofia partners with Worldsound

worldsound

Sofia did a splendid job at SXSW, knocked out the audience at no less than 6 showcases and started a collaboration with American label Worldsound.

– It’s a collaboration that suits the way I work, says Sofia, we have a partner deal so I won’t be kicking off my shoes and wait for anyone else to take charge. My goal has always been to carry a strong business and be able to make my own choices. With Worldsound I have finally found a US label that is on the same page as me.

Worldsound describes Sofia as “The best Swedish discovery since Ikea”.

Worldsound will represent Sofia and Makaki Music worldwide, outside of Sweden, starting in March 2009.