Interview with Akribi

Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson
Akribi photo by Alexa Andersson

Soon the last part of H.A.T.E will be released by Swedish metal band Akribi. We managed to keep them still for a few minutes to ask them some questions about the meaning of life and metal…

Hi Akribi! You guys are doing “E – Part Four of H.A.T.E”. How has the experience been so far?
Definitely different. We’re not at all used to interpreting other musician’s materials, nor working with such tight deadlines, but it’s been a very fun and rewarding experience so far.

Great! Can you tell us a little bit about yourselves?
We’re a female-fronted progressive metal band based in Gothenburg, Sweden. The band started out back in 2003, based on the idea of playing ambitious metal with strong songwriting. It’s an ideal that has remained intact through countless lineup changes over the years. As a consequence of this, we like to work with a slightly expanded palette of scales, chords and time signatures in our music. Oh, and let’s just get one very common misconception out of the way… “female-fronted” in this case does not mean “gothic” or “operatic”.

Just like Badmouth you’re releasing this EP only a few months after your
album release. Are you always this productive?
Given the right circumstances, sure. As hinted above, the band has had a bit of a rough history with lineup changes and whatnot. We have begun writing the next album and it’s going surprisingly fast so maybe we’ve learnt a thing or two about efficiency.

Did you think it was hard to interpret Sofia’s songs into your own style or did you get ideas straight away?
We decided to transcribe the chords and scales that Sofia used. After we had done that we stopped listening to Sofia’s versions and began working. We sent note sheets with ideas to each other; “Could this be something?”, “Would this passage sound better if we changed scales to Lydian?”, “What happens if we add this chord there?” and so on and then we tried playing the ideas. We changed a lot, added riffs and details to make it more Akribi. It took us about a month and then we recorded it, sent it to our mixing guys in Brazil and voilà.

Which of the songs are you most pleased with and why?
It’s difficult to pick a song. It sounds weird but when you live with a song in the intense way that’s required for writing and recording it it sort of becomes your baby. The song we play the most often nowadays is The Garden. The guitar solos are great and Alexander gets to play his Chapman Stick and that always makes him happy. Our songs are usually pretty long and that makes set lists tricky to do so it’s good to have a shorter-than-four-minutes-song up our sleeve.

What’s your favorite gig memory?
That must be the first time we were on stage and the audience sang along with our song Carry the Rain. It’s an incredible feeling. But if you’re looking for an awkward anecdote it must be when the guards didn’t let our drummer back into the building after a sound check. He tried to convince them that he was in the band but the guards told him “yeah right, that’s what everybody says”. The rest of us were backstage ready to go on stage not knowing where he was.

Can you tell us a little bit about the recording sessions and what was most fun with being a part of this project?
Well, the recording workflow was the same that we always follow. When we’ve written the chord progressions, melodies and overall structure of a song, we record (or in this particular case, program) a drum track and have everyone record their parts individually to that. All recordings are then assembled in a sequencer and a rough pre-mix is done. Feedback is sent out, obscene words are exchanged, and adjustments are made. When everyone is sufficiently satisfied, the tracks are sent away for mixing. The most interesting and fun part of this project was that is was far out of the realm of what we usually do. Apart from on a few auditions, we don’t play or record external material. Oh, and we finally got to put a growling part in a song, courtesy of Rafael Basso of “Unlit Face”.

What’s next on the agenda for Akribi this winter?
In October we got a new drummer and we’re in the process of getting to know each other musically and he’s learning all our songs. Parallel to this we’re in contact with booking agents and promoters around Europe. Music is always better live and life on stage is great so we’ll play live as much as possible.

If you would record a Christmas metal album, which three songs would be on your list?
Hey, we’re a metal band! We don’t do Christian things 😉

Thanks for hanging out! We look forward to hearing the songs 🙂

Listen and pre order E – Part Four of H.A.T.E by Akribi here! You’ll get an instant download of one of the songs! The EP will be released December 1st.

Listen to all the EPs of the L.O.V.E vs H.A.T.E saga here:

L.O.V.E VS H.A.T.E
L.O.V.E VS H.A.T.E

Blue Moon on YouTube

I hope you guys have all listened to my new EP “L – part one of L.O.V.E”. “L” is my 5th album, not counting remixes and acoustic albums. I started out playing live when I was 23 years old just playing at every little bar I could find. I built me a backing band and an audience and at 25 I was finally ready to release my first studio album “Blue Moon”. “Blue Moon” was recorded to reflect the way I sounded live back then, and is actually recorded live, all musicians together.

So although I’m looking forward and release new stuff, I think it’s important not to forget about your past accomplishes so I decided to re-release “Blue Moon” in a whole new way. So what I did was to make a YouTube album with all the songs from the album, including cover art and lyrics.

You can now listen to the whole album on YouTube:

Florida Acoustic Tour

My “Florida Acoustic” Tour is over and it’s been great! I did 7 gigs in 7 days all of them outside. Going from one side of Sweden to the other I was so happy to be travelling with a Bose L1 system. Not only was it a dream to travel with as it’s so light and easy to demount but the comfort of knowing how your sound is going to be no matter where you perform is priceless. One of the biggest challenges you meet as a performer is coming to different venues and having to play with different sound systems of different quality so it was really relaxing to know that my music would sound the same no matter where I was. I met a great deal of lovely people and also had a steady audience online that followed my live stream.

A big thanks to all of you that listened live and online, to all the venues and of course Bose for making my tour a great deal easier! Here’s some videos and photos from the tour:

Sofia Talvik Live at Flyt, Stockholm Sweden

Sofia Talvik Live in Visby

Flying home from Visby

Sofia Talvik live at Fettmules Sommarfestival, Gnesta

People hanging out at Fettmules Sommarfestival

With Lena, the lovely founder of Fettmules Sommarfestival

Waiting for the gig

Hector the pug was visiting my gig at Landet

Jonas is setting up the Bose L1 system at Katalin, Uppsala

Ready to play at Flyt in Stockholm

Sofia Talvik live at Flyt, Stockholm
Sofia Talvik live at Flyt, Stockholm

Sofia Talvik live at Flyt, Stockholm
Sofia Talvik live on the roof at Flyt, Stockholm

In a hot car on our way to Båstad

After the gig at Riviera in Båstad

Buy the Acoustic album here
Buy the Acoustic album here (click the pic)

Nordic times in Seattle

We’ve played at the Hartley Historic Mansion in Everett, WA and the Nordic Heritage Museum in Seattle. These kinds of gigs are always quite different as there’s such a mixed crowd. You have the people who know your music there and the people who come because they have a Nordic heritage and want to listen to a Swedish singer. Fortunately no one asked me to play ABBA as one guy that came up to me in the middle of my set on Hawaii. We sold out on all our albums so that was very nice and the audience was so great, really attentive and respectful. It’s such a nice change from bar gigs where there’s always people who talk and don’t care about the music.

Karen Pauley from the radio show Nordic Roots and Branches did an excellent job with the gigs. She was the one who first invited me here last year so I’m happy we could include it in our tour this time! Check ou her radio show here!

A big thank you to all that came to the shows! We had such a great time! Stay tuned for som video clips.

seattle
Playing at the Nordic Heritage Museum

seattle

seattle
The guys made friends with the guy that sold beer!

Sofia partners with Worldsound

worldsound

Sofia did a splendid job at SXSW, knocked out the audience at no less than 6 showcases and started a collaboration with American label Worldsound.

– It’s a collaboration that suits the way I work, says Sofia, we have a partner deal so I won’t be kicking off my shoes and wait for anyone else to take charge. My goal has always been to carry a strong business and be able to make my own choices. With Worldsound I have finally found a US label that is on the same page as me.

Worldsound describes Sofia as “The best Swedish discovery since Ikea”.

Worldsound will represent Sofia and Makaki Music worldwide, outside of Sweden, starting in March 2009.