Unmistakably Nordic in flavor, Sofia Talvik somehow still conforms to American interpretations of her own original music, a North Sea siren blending sparkle and melancholy, creating a special niche of folk music.
O -part two of L.O.V.E is being released June 6th and we chained the producer to the wall for a while to get the truth out of him about the new EP…
Hi Joakim Lundgren, producer of “O – part two of L.O.V.E”! You’re the second producer in line to write a chapter in our book of L.O.V.E, how do you feel the progress has been so far? Good! We’re done with mixing and mastering and I hope that it will spread like wild fire and be much appreciated.
What was your main inspiration for the sound of this EP? I wanted to make a totally synthetic sound image around Sofias straight melodys and her clear voice, making an EP with almost no live elements but with big syntheseizers and plick plock drums …
… since that didnt happened at all, I wound up with the complete opposite. I still think the melodys are surrounded by big things in a good way, but Its all with guitars and piano instead of synths. The way the songs sounded to me, this was the natural way to record it.
What do you do when you’re not producing Sofia Talvik EPs? I play the drums, teach youngsters in music programs and drums and I recently found a very nice music studio to be in, since then I’ve been doing some producing and recording.
How do you feel that this EP will be different from Sofia’s previous albums? It’s Louder.
Which is your favorite of the four songs and why? ”King of the willow tree”. It’s a simple and beautiful melody with lyrics that reminds me of my sami-childhood on the great plains of Lappland.
If this would be a soundtrack to a movie, which movie would that be? ”For a few dollars more”
What is your favorite part of producing music? When your listen to a melody of something for the first time, you have so many directions, tempos and ways to begin doing things. I like the part when you just decide the way, based on guts instead of bad influences.
Tell us your favorite songs right now. ”Wichita Lineman” Tony Joe Whites version ”Gubben i lådan” Daniel Adams Ray
Thanks for the chat! We really look forward to hearing the result! Thank you!
“H – part one of H.A.T.E” is being released in the beginning of June and you’re going to fall off your chair in excitement when you hear the rock versions of the songs from “L”.
"H - part one of H.A.T.E" by Ball of Mayhem
Ball of Mayhem is an up and coming band from the UK. They recently won The Battle of the Bands and as you can see in this awesome live video from of their gigs they can even make the toughest (or did I mean to write drunkest? ;)) guys dance! They’re performing my song “Everyone’s Favorite Concubine” from the “L” EP.
I was talking to a friend the other day about how hard people in Sweden have to support their friends and be happy for their success. We even have a epithet for it “The Jante Law”. Wikipedia lists it as “a pattern of group behavior towards individuals within Scandinavian communities, which negatively portrays and criticizes individual success and achievement as unworthy and inappropriate.” Or as Morrissey so eloquently put it: “We hate it when our friends become successful”.
It’s a quite unpleasant thing and you will see it everywhere, even how people are portrayed in media sometimes. Well I’ve had my share, being an artist and performer. It’s sad when there’s a competition between artists and other actors in the music industry, when we all could benefit from helping and supporting each other. Especially in such a small country as Sweden.
But I think the worst thing is when people who are your friends don’t support you or can be happy for you. Every day I’m stunned by how wonderful my fans and friends abroad are. Helping me out in so many ways. Some whom I haven’t even met. Like with my pledge for my EPs. Or now that I’ve applied for an artist visa. How generous and helpful people really are.
However It makes me just as sad when real life friends brushes off my pledgemusic project with the notion that supporting by pledging would be the same as them giving me a salary. Like I would use the money to party on the town or something (and the funny thing is that they’d gladly buy me a beer any time). And then, they all enjoy my music for free on Spotify. Don’t get me wrong. I want people to enjoy my music for free, but I’m sad to experience that Swedes sometimes are not as generous and loving as other nationalities.
My new goal is therefor to be a better person and support friends and colleagues more. And today I’m starting with my friend Scott. Scott is the writer, designer and publisher of the magazine K Composite. He’s been doing it for years and now he’s working on a new issue. If you like independent magazines, you’ll like K Composite. It’s basically a really beatutiful magazine containing interviews with regular people. Scott has a pledge at Kickstarter to fund the new issue and I think you should all check it out now.
Sometimes I wish I had a band. Well I do have a band and I love them to bits, but we are not a band. They are my boys and I am their artist. They are my friends but they are not my confidants. Sometimes, when I see things like this lovely pledge by My Bubba and Mi, I wish I had a band, where everyone were equals. Where we planned together and fought together. Where we were annoyed at critics and happy for our music together. Sometimes I feel like it’s just me, and they are just tagging along for the ride.
I’ve tried a couple of times making my band into my band. At first I gave them a name, The Tallboys, so that they would feel like a band and not just musicians backing up a singer/songwriter. It didn’t really work, but it doesn’t matter because now, 6 years down the road, they’re still with me and I don’t think any of them feel like just a back up musician anymore. It’s probably for the best, as I can be quite bossy and stubborn and tend to decide everything but sometimes I feel I’m struggling all alone. Like last year when we were on tour and there were just so many things that were going wrong, and I felt like I couldn’t tell them and had to pretend that everything was alright so we wouldn’t all be depressed and worried.
This year my guys are showing their skills as more than musicians playing behind me. They are each producing an EP for me in my 4 piece L.O.V.E saga. I wonder if they will feel as protective about their EPs as I do when I release an album. I wonder if they know just how much I appreciate and love them. Even if they’ll never be my band.
L – Part One of the L.O.V.E saga was released in February. We’re working on “O” which will be released in the beginning of summer. But you might not have known that the L.O.V.E saga has an evil twin called H.A.T.E …
H.A.T.E will consist of 4 EPs, just like L.O.V.E. They will even contain the same songs. So what’s the difference? Well H.A.T.E is the rock version of L.O.V.E. Four rock bands will make one EP each. First out is British band Ball of Mayhem. I managed to get a little interview with Dave Chrisp from the band, and here’s what he’s got to say about their upcoming EP “H”.
Ball of Mayhem
Hi David! You’re part of the rock band Ball of Mayhem that is about to release the first EP “H” in the H.A.T.E quadrology. We’re so excited for the release! Tell us a little bit about your band! Hi.Well Ball Of Mayhem started about ten years ago then under the name Slugfist by my brother Terry (Lead vocals, rhythem guitar) and Stephen (Bass). Since then it has had a few line up changes. I joined about three years ago and our Drummer Jack and Lead guitarist Zac joined just last year. We are all from and are based in the North East of England. Our name kind of represents the sheer variety in our sound, while all of our songs are what you would call heavy there is a big mix of catchy power metal songs with soaring vocal harmonies to out and out stomping metal with monster riffs! We like to keep our sets so you just dont know what is coming next.
How did you get involved in the project? Well I’d like to say it was something rock and roll like we got talking backstage at Glastonbury or something but it was actually through Facebook. I saw Sofia’s post asking for Metal bands to be involved in a project so I replied to that and here we are!
Sofia’s music is quite different from Ball of Mayhem’s. Have you listened to Sofia’s music before and what was it like to interpret the songs? Yeah I was familiar with Sofia’s music for a long time before this project. I’m a fan of Bernard Butler and first heard of Sofia after they did “It’s just love” together and have always kept up with what Sofia has been doing.
It was a lot of fun working on the songs, we got to work as soon as we received her EP. Me and Tez (Terry) just sat in his conservatory listening to it over a few beers and straightaway had a good idea as to what form each song would take. Once we started arranging them it was pretty obvious that they were going to work really well as metal/rock songs. Usually it’s the other way around, singer/songwriters that turn rock songs into sweet mellow versions. Do you think it’s harder turning an acoustic song into a rock song or why do you think that is? I dont think it is, in a way I think it gave us more scope for arrangements as metal/rock is so broad and there are so many different styles of it that can be applied. We were able to add to the basic structure of the songs while not making them unrecognizable from the originals. It would of course be easy just to speed everything up, put loads of guiars on and scream all the way through but we wanted to keep them as “Proper songs” so we went for that big metal anthem sound on all of them. I think if you are going to do a cover you really need to put your own stamp on it otherwise what is the point?
How is this EP different from what you usually play? While we do have catchy songs in our set I would say that these are generally more melodic than what would would normally do. We would perhaps keep a catchy melody/hook for a chorus or a break but these songs have that throughout. The subject matter is not something we would normally sing about either! I dont think any of us would dare turn up to a practice and say “Hey I’ve wrote this really heartfelt song about a love lost that I want us to try…..”
Which is your favorite of the 4 songs and why? Tough question as personally I have favourite bits of them all. Sofia’s versions I’d say Nothing quite so gentle, it just sounds like a single and is a great vocal, great melody, this was probably the easiest to cover.
Our versions I’d have to say Bittersweet bliss, the chorus is a really nice lift after the almost spoken verses, this one really rips along. But the intro to Everyones favourite concubine is a real band favourite, when it kicks in it is just huge with Jacks thumping doubles on the drums with the pounding guitars yet still has that nice little riff that is being picked on the original. We actually had an idea for a song that we never used that started like this and it just fitted perfect when we tried it out. We’re planning on playing this live in a couple of weeks as a set closer and we’ve already had people pop in at practice saying how awesome it sounds.
What’s next for Ball of Mayhem? We’ve just came first in a Battle Of The Bands competition which was great for us, we are starting to get more widespread gigs now which we hope continues as we are starting to get a nice little fanbase now. We’re hitting the studio to record our next EP next month which we plan to release later this year. We have some really big songs that we cant wait to get recorded.
After that who knows, maybe take over Sweden?!, I’ve heard it’s nice there.
